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villains: Discovering Republicans just elect and appoint officials based on Harry Potter villains and their evil traits. #Dobblegangers
villains: Discovering Republicans just elect and appoint officials based on Harry Potter villains and their evil traits. #Dobblegangers

Discovering Republicans just elect and appoint officials based on Harry Potter villains and their evil traits. #Dobblegangers

villains: It Took a Lot of Restraint on the Part of the Villains
villains: It Took a Lot of Restraint on the Part of the Villains

It Took a Lot of Restraint on the Part of the Villains

villains: It Took a Lot of Restraint on the Part of the Villains
villains: It Took a Lot of Restraint on the Part of the Villains

It Took a Lot of Restraint on the Part of the Villains

villains: It Took a Lot of Restraint on the Part of the Villains
villains: It Took a Lot of Restraint on the Part of the Villains

It Took a Lot of Restraint on the Part of the Villains

villains: Heroes & Villains of Software Development
villains: Heroes & Villains of Software Development

Heroes & Villains of Software Development

villains: Kareem Abdul-Jabbar: Bruce Lee Was My Friend, and Tarantino's Movie Disrespects Him 8:08 AM PDT 8/16/2019 by Kareem Abdul-Jabbar Alamy Stock Photo Kareem Abdul-Jabbar and Bruce Lee during the filming of 1978's 'Game of Death.' solacekames: 8:08 AM PDT 8/16/2019 by Kareem Abdul-JabbarThe NBA great and Hollywood Reporter columnist, a friend of the late martial arts star, believes the filmmaker was sloppy, somewhat racist and shirked his responsibility to basic truth in ‘Once Upon a Time in Hollywood.’Remember that time Dr. Martin Luther King Jr. kidney-punched a waiter for serving soggy croutons in his tomato soup? How about the time the Dalai Lama got wasted and spray-painted “Karma Is a Beach” on the Tibetan ambassador’s limo? Probably not, since they never happened. But they could happen if a filmmaker decides to write those scenes into his or her movie. And, even though we know the movie is fiction, those scenes will live on in our shared cultural conscience as impressions of those real people, thereby corrupting our memory of them built on their real-life actions.That’s why filmmakers have a responsibility when playing with people’s perceptions of admired historic people to maintain a basic truth about the content of their character. Quentin Tarantino’s portrayal of Bruce Lee in Once Upon a Time in Hollywood does not live up to this standard. Of course, Tarantino has the artistic right to portray Bruce any way he wants. But to do so in such a sloppy and somewhat racist way is a failure both as an artist and as a human being.This controversy has left me torn. Tarantino is one of my favorite filmmakers because he is so bold, uncompromising and unpredictable. There’s a giddy energy in his movies of someone who loves movies and wants you to love them, too. I attend each Tarantino film as if it were an event, knowing that his distillation of the ’60s and ’70s action movies will be much more entertaining than a simple homage. That’s what makes the Bruce Lee scenes so disappointing, not so much on a factual basis, but as a lapse of cultural awareness.Bruce Lee was my friend and teacher. That doesn’t give him a free pass for how he’s portrayed in movies. But it does give me some insight into the man. I first met Bruce when I was a student at UCLA looking to continue my martial arts studies, which I started in New York City. We quickly developed a friendship as well as a student-teacher relationship. He taught me the discipline and spirituality of martial arts, which was greatly responsible for me being able to play competitively in the NBA for 20 years with very few injuries.During our years of friendship, he spoke passionately about how frustrated he was with the stereotypical representation of Asians in film and TV. The only roles were for inscrutable villains or bowing servants. In Have Gun - Will Travel, Paladin’s faithful Chinese servant goes by the insulting name of “Hey Boy” (Kam Tong). He was replaced in season four by a female character referred to as “Hey Girl” (Lisa Lu). Asian men were portrayed as sexless accessories to a scene, while the women were subservient. This was how African-American men and women were generally portrayed until the advent of Sidney Poitier and blaxploitation films. Bruce was dedicated to changing the dismissive image of Asians through his acting, writing and promotion of Jeet Kune Do, his interpretation of martial arts.That’s why it disturbs me that Tarantino chose to portray Bruce in such a one-dimensional way. The John Wayne machismo attitude of Cliff (Brad Pitt), an aging stuntman who defeats the arrogant, uppity Chinese guy harks back to the very stereotypes Bruce was trying to dismantle. Of course the blond, white beefcake American can beat your fancy Asian chopsocky dude because that foreign crap doesn’t fly here.I might even go along with the skewered version of Bruce if that wasn’t the only significant scene with him, if we’d also seen a glimpse of his other traits, of his struggle to be taken seriously in Hollywood. Alas, he was just another Hey Boy prop to the scene. The scene is complicated by being presented as a flashback, but in a way that could suggest the stuntman’s memory is cartoonishly biased in his favor. Equally disturbing is the unresolved shadow that Cliff may have killed his wife with a spear gun because she nagged him. Classic Cliff. Is Cliff more heroic because he also doesn’t put up with outspoken women?I was in public with Bruce several times when some random jerk would loudly challenge Bruce to a fight. He always politely declined and moved on. First rule of Bruce’s fight club was don’t fight — unless there is no other option. He felt no need to prove himself. He knew who he was and that the real fight wasn’t on the mat, it was on the screen in creating opportunities for Asians to be seen as more than grinning stereotypes. Unfortunately, Once Upon a Time in Hollywood prefers the good old ways.
villains: Kareem Abdul-Jabbar: Bruce
 Lee Was My Friend, and
 Tarantino's Movie Disrespects
 Him
 8:08 AM PDT 8/16/2019 by Kareem Abdul-Jabbar
 Alamy Stock Photo
 Kareem Abdul-Jabbar and Bruce Lee during the filming of 1978's 'Game of Death.'
solacekames:

8:08 AM PDT 8/16/2019 by Kareem Abdul-JabbarThe NBA great and Hollywood Reporter columnist, a friend of the late martial arts star, believes the filmmaker was sloppy, somewhat racist and shirked his responsibility to basic truth in ‘Once Upon a Time in Hollywood.’Remember that time Dr. Martin Luther King Jr. kidney-punched a waiter for serving soggy croutons in his tomato soup? How about the time the Dalai Lama got wasted and spray-painted “Karma Is a Beach” on the Tibetan ambassador’s limo? Probably not, since they never happened. But they could happen if a filmmaker decides to write those scenes into his or her movie. And, even though we know the movie is fiction, those scenes will live on in our shared cultural conscience as impressions of those real people, thereby corrupting our memory of them built on their real-life actions.That’s why filmmakers have a responsibility when playing with people’s perceptions of admired historic people to maintain a basic truth about the content of their character. Quentin Tarantino’s portrayal of Bruce Lee in Once Upon a Time in Hollywood does not live up to this standard. Of course, Tarantino has the artistic right to portray Bruce any way he wants. But to do so in such a sloppy and somewhat racist way is a failure both as an artist and as a human being.This controversy has left me torn. Tarantino is one of my favorite filmmakers because he is so bold, uncompromising and unpredictable. There’s a giddy energy in his movies of someone who loves movies and wants you to love them, too. I attend each Tarantino film as if it were an event, knowing that his distillation of the ’60s and ’70s action movies will be much more entertaining than a simple homage. That’s what makes the Bruce Lee scenes so disappointing, not so much on a factual basis, but as a lapse of cultural awareness.Bruce Lee was my friend and teacher. That doesn’t give him a free pass for how he’s portrayed in movies. But it does give me some insight into the man. I first met Bruce when I was a student at UCLA looking to continue my martial arts studies, which I started in New York City. We quickly developed a friendship as well as a student-teacher relationship. He taught me the discipline and spirituality of martial arts, which was greatly responsible for me being able to play competitively in the NBA for 20 years with very few injuries.During our years of friendship, he spoke passionately about how frustrated he was with the stereotypical representation of Asians in film and TV. The only roles were for inscrutable villains or bowing servants. In Have Gun - Will Travel, Paladin’s faithful Chinese servant goes by the insulting name of “Hey Boy” (Kam Tong). He was replaced in season four by a female character referred to as “Hey Girl” (Lisa Lu). Asian men were portrayed as sexless accessories to a scene, while the women were subservient. This was how African-American men and women were generally portrayed until the advent of Sidney Poitier and blaxploitation films. Bruce was dedicated to changing the dismissive image of Asians through his acting, writing and promotion of Jeet Kune Do, his interpretation of martial arts.That’s why it disturbs me that Tarantino chose to portray Bruce in such a one-dimensional way. The John Wayne machismo attitude of Cliff (Brad Pitt), an aging stuntman who defeats the arrogant, uppity Chinese guy harks back to the very stereotypes Bruce was trying to dismantle. Of course the blond, white beefcake American can beat your fancy Asian chopsocky dude because that foreign crap doesn’t fly here.I might even go along with the skewered version of Bruce if that wasn’t the only significant scene with him, if we’d also seen a glimpse of his other traits, of his struggle to be taken seriously in Hollywood. Alas, he was just another Hey Boy prop to the scene. The scene is complicated by being presented as a flashback, but in a way that could suggest the stuntman’s memory is cartoonishly biased in his favor. Equally disturbing is the unresolved shadow that Cliff may have killed his wife with a spear gun because she nagged him. Classic Cliff. Is Cliff more heroic because he also doesn’t put up with outspoken women?I was in public with Bruce several times when some random jerk would loudly challenge Bruce to a fight. He always politely declined and moved on. First rule of Bruce’s fight club was don’t fight — unless there is no other option. He felt no need to prove himself. He knew who he was and that the real fight wasn’t on the mat, it was on the screen in creating opportunities for Asians to be seen as more than grinning stereotypes. Unfortunately, Once Upon a Time in Hollywood prefers the good old ways.

solacekames: 8:08 AM PDT 8/16/2019 by Kareem Abdul-JabbarThe NBA great and Hollywood Reporter columnist, a friend of the late martial ar...

villains: Villains at a Comic Con pulled together to give little Wonder Woman a photo for life
villains: Villains at a Comic Con pulled together to give little Wonder Woman a photo for life

Villains at a Comic Con pulled together to give little Wonder Woman a photo for life

villains: Villains at a Comic Con pulled together to give little Wonder Woman a photo for life
villains: Villains at a Comic Con pulled together to give little Wonder Woman a photo for life

Villains at a Comic Con pulled together to give little Wonder Woman a photo for life

villains: royaltealovingkookiness: deeperthanswords: royaltealovingkookiness: The first training of Zuko we see, Iroh shoots a fireball right into Zuko’s face - while Zuko just stands there unflinching. It’s the very first episode, and Zuko & Iroh are the obvious villains, and it just seems like some macho bs they do.  And then comes the duel with Zhao, and Zuko is down, but when he sees that flaming fist to his face, something lets loose inside him that helps him turn the fight around…But it’s not until we learn Zuko’s backstory that all this gets a whole new meaning.  Why would Zuko still be on basics if not because he suffered a huge setback after his agni kai? Imagine how much hard work, patience it was to build Zuko back up again, so he would not freeze in blind panic (or curl up in a ball) when fire gets close to his face. I think Iroh practiced this with him all the time until he could stand there unflinching (knowing that Iroh is in full control of his bending and trusting that his uncle would never hurt him). And when it came to the duel with Zhao, Zuko could react in a RL situation instead of freezing up, and turn all the negative feelings (rage, anger, pain, whatever) into fuel to win the fight against a bender who is much more skilled than he is.  And Iroh obviously drilled him with control and restraint, because no matter how much he lets his rage loose, he has enough control not to hurt Zhao and enough self-restraint not to burn him at the end. I definitely think it was a deliberate choice on Iroh’s part to hold back on teaching offensive forms to Zuko beyond the basics (knowing that combining those with his unprocessed anger could result in him being out of control and hurt people). Instead, it seems he concentrated on teaching him defensive forms, fire breath, heat control, and so on… What the FUCK iroh was the real mvp of this whole show my god Indeed. It goes over many people’s head, but he made a huge difference. It was mostly assists and defensive plays though, not the flashy stuff. I love that narrative so much, how you change the world one person at a time and not only violence and hate, but also love and kindness creates ripple effects. 
villains: royaltealovingkookiness:
deeperthanswords:

royaltealovingkookiness:


The first training of Zuko we see, Iroh shoots a fireball right into Zuko’s face - while Zuko just stands there unflinching. It’s the very first episode, and Zuko & Iroh are the obvious villains, and it just seems like some macho bs they do.  And then comes the duel with Zhao, and Zuko is down, but when he sees that flaming fist to his face, something lets loose inside him that helps him turn the fight around…But it’s not until we learn Zuko’s backstory that all this gets a whole new meaning. 
Why would Zuko still be on basics if not because he suffered a huge setback after his agni kai? Imagine how much hard work, patience it was to build Zuko back up again, so he would not freeze in blind panic (or curl up in a ball) when fire gets close to his face. I think Iroh practiced this with him all the time until he could stand there unflinching (knowing that Iroh is in full control of his bending and trusting that his uncle would never hurt him). And when it came to the duel with Zhao, Zuko could react in a RL situation instead of freezing up, and turn all the negative feelings (rage, anger, pain, whatever) into fuel to win the fight against a bender who is much more skilled than he is. 
And Iroh obviously drilled him with control and restraint, because no matter how much he lets his rage loose, he has enough control not to hurt Zhao and enough self-restraint not to burn him at the end. I definitely think it was a deliberate choice on Iroh’s part to hold back on teaching offensive forms to Zuko beyond the basics (knowing that combining those with his unprocessed anger could result in him being out of control and hurt people). Instead, it seems he concentrated on teaching him defensive forms, fire breath, heat control, and so on…


What the FUCK iroh was the real mvp of this whole show my god

Indeed. It goes over many people’s head, but he made a huge difference. It was mostly assists and defensive plays though, not the flashy stuff.
I love that narrative so much, how you change the world one person at a time and not only violence and hate, but also love and kindness creates ripple effects. 

royaltealovingkookiness: deeperthanswords: royaltealovingkookiness: The first training of Zuko we see, Iroh shoots a fireball right in...

villains: Season 4 begins with the respective rises of Queen Glimmer as leader of the Rebellion and Catra as co-leader of the Horde. As the Horde makes advances on the Rebellion under the looming threat of Horde Prime's arrival, the Princess Alliance makes heroic strides but begins to disagree on the best way to defend Etheria. Ultimately, a shocking discovery about Etheria itself causes Adora to reconsider everything she thought she knew. At this year's New York Comic Con panel, Stevenson and the She-Ra cast went into a bit of detail about how the show's fourth season will spend a fair amount of time focusing on the ways in which a number of core characters will embark upon important personal journeys that culminate in drastic transformations Glimmer's becoming queen entails her developing a deeper, more powerful connection to her kingdom's moonstone which makes her significantly more powerful, but she also has to take on a number of new duties as Bright Moon's queen that she's got to balance with her adventuring Catra asserting her dominance over Hordak will lead to interesting developments in the Fright Zone as the power dynamic between the villains shifts and they prepare for Hordak Prime's forces to invade Etheria. But as much as the series is getting into bigger picture storylines exploring She-Ra's larger mythos, season four will still take its time to center more grounded stories, like Scorpia's gradual realization that her relationship with Catra is horde-princess:OH MY GOOOOOOOOD SCORPIA MY GURRRRL
villains: Season 4 begins with the respective rises of Queen Glimmer as leader of the
 Rebellion and Catra as co-leader of the Horde. As the Horde makes advances
 on the Rebellion under the looming threat of Horde Prime's arrival, the
 Princess Alliance makes heroic strides but begins to disagree on the best way
 to defend Etheria. Ultimately, a shocking discovery about Etheria itself causes
 Adora to reconsider everything she thought she knew.

 At this year's New York Comic Con panel, Stevenson and the She-Ra cast went
 into a bit of detail about how the show's fourth season will spend a fair amount
 of time focusing on the ways in which a number of core characters will embark
 upon important personal journeys that culminate in drastic transformations
 Glimmer's becoming queen entails her developing a deeper, more powerful
 connection to her kingdom's moonstone which makes her significantly more
 powerful, but she also has to take on a number of new duties as Bright Moon's
 queen that she's got to balance with her adventuring
 Catra asserting her dominance over Hordak will lead to interesting
 developments in the Fright Zone as the power dynamic between the villains
 shifts and they prepare for Hordak Prime's forces to invade Etheria. But as
 much as the series is getting into bigger picture storylines exploring She-Ra's
 larger mythos, season four will still take its time to center more grounded
 stories, like Scorpia's gradual realization that her relationship with Catra is
horde-princess:OH MY GOOOOOOOOD

SCORPIA MY GURRRRL

horde-princess:OH MY GOOOOOOOOD SCORPIA MY GURRRRL

villains: SINTIMENT syntiment: So anyway, Hordak Rights.Wind down sketch for the evening aka figuring out how to draw this handsome bastard. Love me some good villains…
villains: SINTIMENT
syntiment:

So anyway, Hordak Rights.Wind down sketch for the evening aka figuring out how to draw this handsome bastard. Love me some good villains…

syntiment: So anyway, Hordak Rights.Wind down sketch for the evening aka figuring out how to draw this handsome bastard. Love me some go...

villains: stinkfight:inuyasha has some gorgeous villains okay (dont tag as shipping pls)
villains: stinkfight:inuyasha has some gorgeous villains okay (dont tag as shipping pls)

stinkfight:inuyasha has some gorgeous villains okay (dont tag as shipping pls)