Has
Has

Has

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Https

Https

Khou
Khou

Khou

Liked
Liked

Liked

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Characters

Characters

Weeks
Weeks

Weeks

Your
Your

Your

From
From

From

The
The

The

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🔥 | Latest

Stands: carl-thecreator: JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS.
Stands: carl-thecreator:

JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS.

carl-thecreator: JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS.

Stands: The House in Silence Stands
Stands: The House in Silence Stands

The House in Silence Stands

Stands: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
Stands: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

Stands: The offer still stands
Stands: The offer still stands

The offer still stands

Stands: prettyeyezciya: jess-curious: dynastylnoire: hugochillingsworth: onlyblackgirl: bruddabois: sobeitjay: catmasterfunk: thehighpriestofreverseracism: This is beautiful i will literally never not reblog this. do people really say that Yea I’ve heard people say that shit Yes, they say it all the time. http://instagram.com/miryamlumpini Here’s her account, her tattoos are so fantastic to look at. reblogging for the tattoo artists IG to be boosted I keep seeing this post and I’ve gotta speak up on it, because that isn’t a good example of color on dark skin.  I’m a tattoo artist, and I’ve had a bunch of clients come in saying they were told dark skin can’t take any color whatsoever, which is bullshit. The long and short of it is dark skin can take plenty of color, provided it isn’t too light. Tattoos look best when they’re fresh because the ink is still on the top layer of open skin. As the skin heals over the tattoo, the color gets less vibrant and defined. This is true of anybody of any skin tone. Tattoo pigments tend to act a lot like watercolor; they’re not terribly opaque in the skin, meaning that as that tattoo ages, the white will fade into patches of slightly lighter skin, and may disappear altogether, as will lighter colors like yellows and pinks. Many artists consider doing tattoos entirely or mostly in white ink to be irresponsible for that reason, and use white ink very sparingly to create small highlights, in places where even faded ink will add contrast. Notice how the yellow is all but gone on even the lightest skin, while the deeper reds have stayed. And that isn’t even factoring in sun exposure, how often the skin is submerged in water, friction, or how the skin in the area bends and flexes. I know extremely pale people who lost all the color in their tattoos in 5 years due to a variety of those factors; I’m pale as they come, and the yellow in my oldest tattoo is only 2 years old and already super faded.  Color that lasts a long time is darker and more saturated than the skin it’s in. See how the butterfly is still noticeably purple, and stands out in all the skin tones? Teals, yellows, pinks and whites photograph beautifully in dark skin, but ultimately don’t have longevity as tattoos. Dark skin, however, can still take reds, blues, greens, purples, and browns beautifully! The best way to make color vivid in any skin is to put it in a strong black outline; tattoos like the one below will look like bruises as they age, and the fading color doesn’t have structured black to contrast and frame it. Here’s some color on dark skin that will age well! The yellows in this tattoo are very saturated and framed in lots of solid black; even if they fade, the fish will stay nice and vibrant. Similarly, the white in this tattoo will definitely lighten, but the dark reds and blacks will hold the tattoo together very well. Tl;dr, have a solid black outline, make sure the colors you pick are darker/more saturated than your own skin, and don’t rely too heavily on white. These are basic tattoo principles that can and should be used when deciding on any tattoo, regardless of skintone. Hope it helps! Reblogging for the amazing fucking information I just received on tattoos
Stands: prettyeyezciya:
jess-curious:

dynastylnoire:

hugochillingsworth:

onlyblackgirl:


bruddabois:


sobeitjay:


catmasterfunk:

thehighpriestofreverseracism:
This is beautiful

i will literally never not reblog this.

do people really say that


Yea I’ve heard people say that shit


Yes, they say it all the time.


http://instagram.com/miryamlumpini
Here’s her account, her tattoos are so fantastic to look at.

reblogging for the tattoo artists IG to be boosted

I keep seeing this post and I’ve gotta speak up on it, because that isn’t a good example of color on dark skin. 
I’m a tattoo artist, and I’ve had a bunch of clients come in saying they were told dark skin can’t take any color whatsoever, which is bullshit. The long and short of it is dark skin can take plenty of color, provided it isn’t too light.
Tattoos look best when they’re fresh because the ink is still on the top layer of open skin. As the skin heals over the tattoo, the color gets less vibrant and defined. This is true of anybody of any skin tone. Tattoo pigments tend to act a lot like watercolor; they’re not terribly opaque in the skin, meaning that as that tattoo ages, the white will fade into patches of slightly lighter skin, and may disappear altogether, as will lighter colors like yellows and pinks. Many artists consider doing tattoos entirely or mostly in white ink to be irresponsible for that reason, and use white ink very sparingly to create small highlights, in places where even faded ink will add contrast.

Notice how the yellow is all but gone on even the lightest skin, while the deeper reds have stayed. And that isn’t even factoring in sun exposure, how often the skin is submerged in water, friction, or how the skin in the area bends and flexes. I know extremely pale people who lost all the color in their tattoos in 5 years due to a variety of those factors; I’m pale as they come, and the yellow in my oldest tattoo is only 2 years old and already super faded. 
Color that lasts a long time is darker and more saturated than the skin it’s in.

See how the butterfly is still noticeably purple, and stands out in all the skin tones?
Teals, yellows, pinks and whites photograph beautifully in dark skin, but ultimately don’t have longevity as tattoos. Dark skin, however, can still take reds, blues, greens, purples, and browns beautifully! The best way to make color vivid in any skin is to put it in a strong black outline; tattoos like the one below will look like bruises as they age, and the fading color doesn’t have structured black to contrast and frame it.

Here’s some color on dark skin that will age well!
The yellows in this tattoo are very saturated and framed in lots of solid black; even if they fade, the fish will stay nice and vibrant.
Similarly, the white in this tattoo will definitely lighten, but the dark reds and blacks will hold the tattoo together very well.
Tl;dr, have a solid black outline, make sure the colors you pick are darker/more saturated than your own skin, and don’t rely too heavily on white. These are basic tattoo principles that can and should be used when deciding on any tattoo, regardless of skintone. Hope it helps!


Reblogging for the amazing fucking information I just received on tattoos

prettyeyezciya: jess-curious: dynastylnoire: hugochillingsworth: onlyblackgirl: bruddabois: sobeitjay: catmasterfunk: thehighpr...

Stands: ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this
Stands: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: Th...

Stands: The “oh thank god” still stands
Stands: The “oh thank god” still stands

The “oh thank god” still stands

Stands: fenixfoxtrot510: tyrantisterror: driftingindeadspace: tyrantisterror: driftingindeadspace: tyrantisterror: godzilla3092: tyrantisterror: godzilla201460: mark9-jaeger-kaiju-gesundheit: The Man of Steel vs the King of the Monsters by DR-Studios Man of steel is fucked. One is a horrifying unstoppable murder monster that smashes buildings and kills all who oppose it while laughing off the pitiful weapons humanity throws at it and never once stops to consider the value of the human lives that get caught in the wake of its titanic battles for supremacy. The other is Godzilla. I’d hate to say it, you guys, but Godzilla probably wouldn’t win that fight. Probably not, not.  At some point Godzilla would try to avoid killing innocent bystanders, at which point Superman would make the kill shot in a way that forces Godzilla’s corpse to fall onto and crush as many fleeing human beings as possible.  Superman would then toss the carcass into a dozen or so more buildings, specifically aiming for those that are still inhabited by trapped people, and maybe drag the corpse through the rubble just in case a few humans clung onto life despite their grievous wounds before finally leaving the carcass on a school or hospital to rot and fester - or maybe in the water supply to ensure the maximum amount of people can be exposed to whatever diseases result. Then he’d threaten the military not to cross him again before making a terrible sex joke at Amy Adams. I’m sorry to say, but you got both of these characters COMPLETELY backwards. No, Godzilla does go out of his way to avoid hurting innocent bystanders - at least in the 2014 movie, which is the version shown in the picture above.  Godzilla tries his best to avoid going through the Golden Gate bridge, avoids swimming through navy ships, and even tries to walk around buildings rather than through them when fighting the wicked mutos.  And he does it in a few other movies, too - one time that stands out to me occurs in the original Godzilla vs. MechaGodzilla he actually leads the evil MechaGodzilla away from the city into the wilderness before having a brutal match. So yeah, I’d say I have them pretty spot on. I think the reason he doesn’t go through buildings because that would be fucking stupid. Also he didn’t seem to care enough when he started smashing the golden gate bridge with the bus full of children on it when the military attacked him. Or how about the time he flooded all of Hawaii? He’s not consciously protecting humans because all he cares about is killing the MUTOS. He most likely fights them for territory which would kind of make sense as to why he would want to be killed by Superman in the first place 1. Godzilla was knocked into the bridge by those missiles.  There’s a difference between stumbling into something when someone pushes you into it and purposely knocking that thing over.  What happened with Godzilla and the bridge was the former - he actually spent a good chunk of time avoiding the bridge and blocking it from the missiles with his body before he was finally forced through it.  That’s not Godzilla’s fault, that’s the military’s. 2. Godzilla didn’t mean to flood Hawaii - he probably wasn’t even aware of how the water was being displaced.  It’s destructive, sure, but it’s not something he could avoid.  It’s not the same as, say, a super powered murderer tackling another super powered murderer through a cornfield into a populated area like some kind of sociopath. I don’t know why you’re trying to paint Godzilla in such a negative light, but it kinda scares me. Ya’ll lay off Godzilla! He’s trying his best! His best is all he can do and it’s difficult to do so when litteral armies of people are trying to sabotage him! Godzilla is the local Lizard that won’t hurt the ants because they need each other.Superman is the invasive bird that seeks to eat all ants to assert dominance
Stands: fenixfoxtrot510:

tyrantisterror:
driftingindeadspace:

tyrantisterror:

driftingindeadspace:

tyrantisterror:

godzilla3092:

tyrantisterror:

godzilla201460:

mark9-jaeger-kaiju-gesundheit:

The Man of Steel vs the King of the Monsters by DR-Studios

Man of steel is fucked.

One is a horrifying unstoppable murder monster that smashes buildings and kills all who oppose it while laughing off the pitiful weapons humanity throws at it and never once stops to consider the value of the human lives that get caught in the wake of its titanic battles for supremacy.
The other is Godzilla.

I’d hate to say it, you guys, but Godzilla probably wouldn’t win that fight.

Probably not, not.  At some point Godzilla would try to avoid killing innocent bystanders, at which point Superman would make the kill shot in a way that forces Godzilla’s corpse to fall onto and crush as many fleeing human beings as possible.  Superman would then toss the carcass into a dozen or so more buildings, specifically aiming for those that are still inhabited by trapped people, and maybe drag the corpse through the rubble just in case a few humans clung onto life despite their grievous wounds before finally leaving the carcass on a school or hospital to rot and fester - or maybe in the water supply to ensure the maximum amount of people can be exposed to whatever diseases result.
Then he’d threaten the military not to cross him again before making a terrible sex joke at Amy Adams.

I’m sorry to say, but you got both of these characters COMPLETELY backwards.

No, Godzilla does go out of his way to avoid hurting innocent bystanders - at least in the 2014 movie, which is the version shown in the picture above.  Godzilla tries his best to avoid going through the Golden Gate bridge, avoids swimming through navy ships, and even tries to walk around buildings rather than through them when fighting the wicked mutos.  And he does it in a few other movies, too - one time that stands out to me occurs in the original Godzilla vs. MechaGodzilla he actually leads the evil MechaGodzilla away from the city into the wilderness before having a brutal match.
So yeah, I’d say I have them pretty spot on.

I think the reason he doesn’t go through buildings because that would be fucking stupid. Also he didn’t seem to care enough when he started smashing the golden gate bridge with the bus full of children on it when the military attacked him. Or how about the time he flooded all of Hawaii? He’s not consciously protecting humans because all he cares about is killing the MUTOS. He most likely fights them for territory which would kind of make sense as to why he would want to be killed by Superman in the first place

1. Godzilla was knocked into the bridge by those missiles.  There’s a difference between stumbling into something when someone pushes you into it and purposely knocking that thing over.  What happened with Godzilla and the bridge was the former - he actually spent a good chunk of time avoiding the bridge and blocking it from the missiles with his body before he was finally forced through it.  That’s not Godzilla’s fault, that’s the military’s.
2. Godzilla didn’t mean to flood Hawaii - he probably wasn’t even aware of how the water was being displaced.  It’s destructive, sure, but it’s not something he could avoid.  It’s not the same as, say, a super powered murderer tackling another super powered murderer through a cornfield into a populated area like some kind of sociopath.
I don’t know why you’re trying to paint Godzilla in such a negative light, but it kinda scares me.



Ya’ll lay off Godzilla! He’s trying his best! His best is all he can do and it’s difficult to do so when litteral armies of people are trying to sabotage him!


Godzilla is the local Lizard that won’t hurt the ants because they need each other.Superman is the invasive bird that seeks to eat all ants to assert dominance

fenixfoxtrot510: tyrantisterror: driftingindeadspace: tyrantisterror: driftingindeadspace: tyrantisterror: godzilla3092: tyrantiste...

Stands: The ’T’ stands for ‘Terrifying’
Stands: The ’T’ stands for ‘Terrifying’

The ’T’ stands for ‘Terrifying’

Stands: whatevercomestomymind: dovewithscales: nederboo: themoonkilledmyagenda: cataclysmofstars: aphnorwegian: mxcleod: egalitarianqueen: kibosh-josh-mahgosh: egalitarianqueen: rougaroucojones: radarmatt: rougaroucojones: karolinedianne: spangledshieldsandsilverwings: Gif stands for Graphics Interchange Format. when graphics is pronounced “JAFFICKS” Then I will pronounce Gif with a “J” ^ This It’s followed by an R of course it would be a hard g. But Giraffe is a soft g. Genius is a soft g. Gin is pronounced with a soft g too. GIF is I following a g, it would be pronounced with a soft g. It aint Jif peanut butter though. It would still be pronounced like that. The general rule is if the g is followed by an e or i, it’s soft g. U or a consonant is generally a hard g. I will DIE WITH MY HONOR Gear =/= Jear Get =/= Jet Gift =/= Jift Give =/= Jive In English, words with a ‘G’ followed by an ‘e’ or an ‘i’ can be pronounced with either a hard ‘G’ or a soft ‘G’. Words with Germanic roots such as ‘gear’, ‘get’, ‘gift’, ‘give’ (see above) are pronounced with a hard ‘g’ while words with Latin or Greek roots such as ‘gem’, ‘general’, ‘giraffe’, ‘giant’, are pronounced with a soft ‘g’. So no, it’s not exactly a “general rule” that ‘g’ followed by an ‘e’ or an ‘i’ makes a soft ‘g’ sound.  Additionally, “GIF” is an ACRONYM starting with a word that begins with a hard ‘g’ sound, so “GIF” is therefore pronounced with a hard ‘g’. We fight with honor via @greenwoodthegreat. I could not have said it better, my friend. Thor agrees. This is a perfect compromise, it makes everyone unhappy. You know, I can’t argue with that. Its FUCKINGG I F
Stands: whatevercomestomymind:

dovewithscales:

nederboo:

themoonkilledmyagenda:

cataclysmofstars:

aphnorwegian:

mxcleod:


egalitarianqueen:


kibosh-josh-mahgosh:


egalitarianqueen:

rougaroucojones:

radarmatt:


rougaroucojones:

karolinedianne:

spangledshieldsandsilverwings:

Gif stands for Graphics Interchange Format. when graphics is pronounced “JAFFICKS” Then I will pronounce Gif with a “J”

^ This


It’s followed by an R of course it would be a hard g. But Giraffe is a soft g. Genius is a soft g. Gin is pronounced with a soft g too. GIF is I following a g, it would be pronounced with a soft g.


It aint Jif peanut butter though.


It would still be pronounced like that. The general rule is if the g is followed by an e or i, it’s soft g. U or a consonant is generally a hard g.


I will DIE WITH MY HONOR


Gear =/= Jear
Get =/= Jet
Gift =/= Jift
Give =/= Jive
In English, words with a ‘G’ followed by an ‘e’ or an ‘i’ can be pronounced with either a hard ‘G’ or a soft ‘G’.
Words with Germanic roots such as ‘gear’, ‘get’, ‘gift’, ‘give’ (see above) are pronounced with a hard ‘g’ while words with Latin or Greek roots such as ‘gem’, ‘general’, ‘giraffe’, ‘giant’, are pronounced with a soft ‘g’.
So no, it’s not exactly a “general rule” that ‘g’ followed by an ‘e’ or an ‘i’ makes a soft ‘g’ sound. 
Additionally, “GIF” is an ACRONYM starting with a word that begins with a hard ‘g’ sound, so “GIF” is therefore pronounced with a hard ‘g’.


We fight with honor





via @greenwoodthegreat. I could not have said it better, my friend.


Thor agrees. 


This is a perfect compromise, it makes everyone unhappy.


You know, I can’t argue with that.



Its FUCKINGG I F

whatevercomestomymind: dovewithscales: nederboo: themoonkilledmyagenda: cataclysmofstars: aphnorwegian: mxcleod: egalitarianqueen...

Stands: creepygnomeking: since I’m currently into Overwatch, have a ref of my self-insert, this is a little old but still stands by. I need to upload something anyway-
Stands: creepygnomeking:

since I’m currently into Overwatch, have a ref of my self-insert, this is a little old but still stands by. I need to upload something anyway-

creepygnomeking: since I’m currently into Overwatch, have a ref of my self-insert, this is a little old but still stands by. I need to u...

Stands: nuffinwong: flowersinmyphro: carl-thecreator: JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS. Reblog every time it hits my Dash Please remember
Stands: nuffinwong:
flowersinmyphro:

carl-thecreator:
JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS.

Reblog every time it hits my Dash


Please remember

nuffinwong: flowersinmyphro: carl-thecreator: JUST LETTING Y'ALL KNOW WHERE THIS BLOG STANDS. Reblog every time it hits my Dash Pleas...