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Apparently, Crime, and Dating: writing-prompt-s A dating service where matching is based people's search history exists. You're a serial killer. You go on a date with a writer. endreams-s Serial Killer: metaphorically, if you were to kill someone, how would you do it? Writer: Air shot between the toes, it'll look like a heart attack. Serial Killer who is obviously in love already: *sucks in a breath* ok fangoddess817 Writer: how long would it take to die if you were to potentially stab someone in the guts Serial killer: anywhere from 2 to 30 minutes Writer, already bringing a ring out: *shaking* thanks December C) Baby infinityonthot A++ addition tetsuskitten Writer: *shows the serial killer the murder scene they're writing* babe, i'm not sure if this would actually work? Serial killer: *kisses writer on the forehead and leaves, comes back later, a suspicious scent of blood coming off them* it works baby, you're doing great tigerliliesandcherryblossoms I LOVE THIS vmohlere Oh no, murder comedy is my jam laziestofthedreamers I love this, I love all of this, but quick question, does the author know? Like are they aware that their significant other is a serial killer or do they just think that they have a morbid sense of humor? It'd be even funnier if the author had no fucking clue, like how Aurthur Conan Doyle was apparently stupidly gullible, and on top of it they're a horror or crime novelist. Like the serial killer works at a butcher shop or something so it's completely normal for them to come home smelling like blood, no murders going on here, no sirey. Just my darling coming back home from a long day at work. Now fast forward a bit and the author has managed to get their first book published, with loving support from the serial killer who helped them fine tune all the murder scenes, and it's a big hit. Enough so that detective with the local police department has noticed some disturbing similarities to several active cases, including details that were never released to the press. Obviously he brings this up to his superior and convinces him that there's something to the theory, but it's all circumstantial right now. He stakes out the author's home and is super convinced that the author is the murderer, but they don't seem to do anything??? Like they literally are at the house all day, that's it. Most they do is leave for groceries. So you get this dynamic of the serial killer mining the author for creative murder schemes, the author being lovingly encouraged by the serial killer, and finally the detective who is just so sure that the author is the killer and that if he sticks it out long enough he'll FINALLY have proof. annieutimagines Plot twist, The serial killer and detective use to go out so it gets sub what personal. "You need to stop seeing them. I think they are a serial killer." Serial killer breaths in. "Look-" I love this so much
Apparently, Crime, and Dating: writing-prompt-s
 A dating service where matching is based
 people's search history exists. You're a serial killer.
 You go on a date with a writer.
 endreams-s
 Serial Killer: metaphorically, if you were to kill
 someone, how would you do it?
 Writer: Air shot between the toes, it'll look like a
 heart attack.
 Serial Killer who is obviously in love already: *sucks
 in a breath* ok
 fangoddess817
 Writer: how long would it take to die if you were to
 potentially stab someone in the guts
 Serial killer: anywhere from 2 to 30 minutes
 Writer, already bringing a ring out: *shaking* thanks
 December C) Baby
 infinityonthot
 A++ addition
 tetsuskitten
 Writer: *shows the serial killer the murder scene
 they're writing* babe, i'm not sure if this would
 actually work?
 Serial killer: *kisses writer on the forehead and
 leaves, comes back later, a suspicious scent of blood
 coming off them* it works baby, you're doing great
 tigerliliesandcherryblossoms
 I LOVE THIS
 vmohlere
 Oh no, murder comedy is my jam
 laziestofthedreamers
 I love this, I love all of this, but quick question, does
 the author know? Like are they aware that their
 significant other is a serial killer or do they just think
 that they have a morbid sense of humor? It'd be
 even funnier if the author had no fucking clue, like
 how Aurthur Conan Doyle was apparently stupidly
 gullible, and on top of it they're a horror or crime
 novelist. Like the serial killer works at a butcher shop
 or something so it's completely normal for them to
 come home smelling like blood, no murders going on
 here, no sirey. Just my darling coming back home
 from a long day at work.
 Now fast forward a bit and the author has managed
 to get their first book published, with loving support
 from the serial killer who helped them fine tune all
 the murder scenes, and it's a big hit. Enough so that
 detective with the local police department has
 noticed some disturbing similarities to several active
 cases, including details that were never released to
 the press. Obviously he brings this up to his superior
 and convinces him that there's something to the
 theory, but it's all circumstantial right now. He stakes
 out the author's home and is super convinced that
 the author is the murderer, but they don't seem to do
 anything??? Like they literally are at the house all
 day, that's it. Most they do is leave for groceries.
 So you get this dynamic of the serial killer mining the
 author for creative murder schemes, the author
 being lovingly encouraged by the serial killer, and
 finally the detective who is just so sure that the
 author is the killer and that if he sticks it out long
 enough he'll FINALLY have proof.
 annieutimagines
 Plot twist, The serial killer and detective use to go
 out so it gets sub what personal.
 "You need to stop seeing them. I think they are a
 serial killer."
 Serial killer breaths in. "Look-"
I love this so much

I love this so much

Target, Tumblr, and Airplane: animetitle:these three scenes in Airplane! come one right after another and together they form the most lethal sequence in cinema history
Target, Tumblr, and Airplane: animetitle:these three scenes in Airplane! come one right after another and together they form the most lethal sequence in cinema history

animetitle:these three scenes in Airplane! come one right after another and together they form the most lethal sequence in cinema history

Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho. 2 hrs Well, this just happened. Milo Manara, master artist and storyteller, came in at the last ten minutes of my Art and Women panel and handed me a special gift in appreciation for fighting censorship- an original watercolor painting of Spider-Woman. The packed auditorium went wild. Wow. I'm just speechless CHO! NERT SE prasLE THE caMERa 2G CRap! IG a stock N HEET CRP SERNG P 1RT ENTM FR MA RA what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: auntiewanda: brithwyr: auntiewanda: brithwyr: auntiewanda: houroftheanarchistwolf: aawb: starsapphire: is it time for frank cho and milo manara to die or what That’s basically a naked woman I’m YELLING What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that? It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot.  It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for.  I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..? And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters.  Come on, let’s not pretend this is a male exclusive thing. We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine.  What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do. This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks:  Also:  He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence. You can see her butthole for chrissakes I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers. Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity. Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs. Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock. Men want objects. Women want PEOPLE. This is the first time I have EVER seen this false equivalence articulated so well. Thank you. bro you can literally see every fold of her pussy that just isn’t how fabric works Lol body painting literally Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way
Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho.
 2 hrs
 Well, this just happened.
 Milo Manara, master artist and storyteller, came in at the last ten minutes of
 my Art and Women panel and handed me a special gift in appreciation for
 fighting censorship- an original watercolor painting of Spider-Woman. The
 packed auditorium went wild.
 Wow. I'm just speechless
 CHO!
 NERT SE
 prasLE THE
 caMERa 2G
 CRap! IG a
 stock N HEET
 CRP SERNG P
 1RT
 ENTM
 FR
 MA
 RA
what-the-fandomm:

2sunchild2:

kukumomoart:
chancethereaper:

aglassroseneverfades:

pmastamonkmonk:

schnerp:

feminism-is-radical:

auntiewanda:

brithwyr:

auntiewanda:

brithwyr:

auntiewanda:

houroftheanarchistwolf:

aawb:

starsapphire:

is it time for frank cho and milo manara to die or what

That’s basically a naked woman I’m YELLING

What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that?

It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot. 
It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for. 

I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..?

And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters. 

Come on, let’s not pretend this is a male exclusive thing.

We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine. 
What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do.
This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks: 
Also: 

He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence.


You can see her butthole for chrissakes

I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers.
Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity.
Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs.
Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock.
Men want objects. Women want PEOPLE. 

This is the first time I have EVER seen this false equivalence articulated so well. Thank you.

bro you can literally see every fold of her pussy that just isn’t how fabric works

Lol body painting literally


Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year

i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way

what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: aunti...

Carrie Fisher, Jedi, and Star Wars: ruinedchildhood: Carrie Fisher in Star Wars: The Last Jedi Behind The Scenes
Carrie Fisher, Jedi, and Star Wars: ruinedchildhood:

Carrie Fisher in Star Wars: The Last Jedi Behind The Scenes

ruinedchildhood: Carrie Fisher in Star Wars: The Last Jedi Behind The Scenes

Apparently, Crime, and Dating: writing-prompt-s A dating service where matching is based on people's search history exists. You're a serial killer. You go on a date with a writer. endreams-s Serial Killer: metaphorically, if you were to kill someone, how would you do it? Writer: Air shot between the toes, it'll look like a heart attack Serial Killer who is obviously in love already: "sucks in a breath ok fangoddess817 Writer: how long would it take to die if you were to potentially stab someone in the guts Serial killer: anywhere from 2 to 30 minutes Writer, already bringing a ring out: "shaking thanks infinityonthot A++ addition tetsuskitten Writer: "shows the serial killer the murder scene they're writing actually work? babe, i'm not sure if this would Serial killer: "kisses writer on the forehead and leaves, comes back later, a suspicious scent of blood coming off them* it works baby, you're doing great tigerliliesandcherryblossoms ILOVE THIS vmohlere Oh no, murder comedy is my jam laziestofthedreamers Ilove this, I love all of this, but quick question, does the author know? Like are they aware that their significant other is a serial killer or do they just think that they have a morbid sense of humor? It'd be even funnier if the author had no fucking clue, like how Aurthur Conan Doyle was apparently stupidly gulible, and on top of it they're a horror or crime novelist. Like the serial killer works at a butcher shop or something so it's completely normal for them to come home smelling like blood, no murders going on here, no sirey. Just my darling coming back home from a long day at work. Now fast forward a bit and the author has managed to get their first book published, with loving support from the serial killer who helped them fine tune all the murder scenes, and it's a big hit. Enough so that a detective with the local police department has noticed some disturbing similarities to several active cases, including details that were never released to the press. Obviously he brings this up to his superior and convinces him that there's something to the theory, but it's all circumstantial right now. He stakes out the author's home and is super convinced that the author is the murderer, but they don't seem to do anything??? Like they literally are at the house all day, that's it. Most they do is leave for groceries. So you get this dynamic of the serial killer mining the author for creative murder schemes, the author being lovingly encouraged by the serial killer, and finally the detective who is just so sure that the author is the killer and that if he sticks it out long enough he'll FINALLY have proof. annieutimagines Plot twist, The serial killer and detective use to go out so it gets sub what personal. "You need to stop seeing them. I think they are a serial killer." Serial killer breaths in. "Look-" ladyhavilliard ..perfect theskystealerthebookthief I need 4 seasons and a movie on this I would watch the hell out of this
Apparently, Crime, and Dating: writing-prompt-s
 A dating service where matching is based on
 people's search history exists. You're a serial killer.
 You go on a date with a writer.
 endreams-s
 Serial Killer: metaphorically, if you were to kill
 someone, how would you do it?
 Writer: Air shot between the toes, it'll look like a heart
 attack
 Serial Killer who is obviously in love already: "sucks in
 a breath ok
 fangoddess817
 Writer: how long would it take to die if you were to
 potentially stab someone in the guts
 Serial killer: anywhere from 2 to 30 minutes
 Writer, already bringing a ring out: "shaking thanks
 infinityonthot
 A++ addition
 tetsuskitten
 Writer: "shows the serial killer the murder scene
 they're writing
 actually work?
 babe, i'm not sure if this would
 Serial killer: "kisses writer on the forehead and
 leaves, comes back later, a suspicious scent of blood
 coming off them* it works baby, you're doing great
 tigerliliesandcherryblossoms
 ILOVE THIS
 vmohlere
 Oh no, murder comedy is my jam
 laziestofthedreamers
 Ilove this, I love all of this, but quick question, does
 the author know? Like are they aware that their
 significant other is a serial killer or do they just think
 that they have a morbid sense of humor? It'd be even
 funnier if the author had no fucking clue, like how
 Aurthur Conan Doyle was apparently stupidly
 gulible, and on top of it they're a horror or crime
 novelist. Like the serial killer works at a butcher shop
 or something so it's completely normal for them to
 come home smelling like blood, no murders going on
 here, no sirey. Just my darling coming back home
 from a long day at work.
 Now fast forward a bit and the author has managed
 to get their first book published, with loving support
 from the serial killer who helped them fine tune all
 the murder scenes, and it's a big hit. Enough so that
 a detective with the local police department has
 noticed some disturbing similarities to several active
 cases, including details that were never released to
 the press. Obviously he brings this up to his superior
 and convinces him that there's something to the
 theory, but it's all circumstantial right now. He stakes
 out the author's home and is super convinced that
 the author is the murderer, but they don't seem to do
 anything??? Like they literally are at the house all
 day, that's it. Most they do is leave for groceries.
 So you get this dynamic of the serial killer mining the
 author for creative murder schemes, the author
 being lovingly encouraged by the serial killer, and
 finally the detective who is just so sure that the
 author is the killer and that if he sticks it out long
 enough he'll FINALLY have proof.
 annieutimagines
 Plot twist, The serial killer and detective use to go
 out so it gets sub what personal.
 "You need to stop seeing them. I think they are a
 serial killer."
 Serial killer breaths in. "Look-"
 ladyhavilliard
 ..perfect
 theskystealerthebookthief
 I need 4 seasons and a movie on this
I would watch the hell out of this

I would watch the hell out of this

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Future, Journey, and Life: Captured from a PaytationM Pro imagesreguire a 4K display FRA demifiendrsa: Death Stranding – Release Date Reveal Trailer. The game will launch for Playstation 4 worldwide on November 8, 2019.Extended Japanese version  Message from Hideo Kojima Game editionsPre-order the Standard Edition for $59.99 USD MSRP/ $79.99 CAD MSRP and immediately get a voucher to download a Chibi Ludens PSN Avatar – a stylized version of the iconic logo for Kojima Productions – plus, a Death Stranding PS4 Dynamic Theme at launch.Pre-orders also receive special gold versions of in-game items earned through gameplay:Gold “Sam” SunglassesGold HatGold Speed Skeleton: Increase the speed of Sam’s movement when equippedGold Armor Plate: Increase protection against any damage Sam takesThe Special Edition ($69.99 USD MSRP/ $89.99 CAD MSRP) includes a collectible Steelbook case. Pre-order and receive all incentives offered through the Standard Edition. The Special Edition also includes –A special gold version of the Gold “Ludens Mask” Sunglasses earned through gameplay.As well as these digital bonuses:Music Album Digital DownloadBehind the Scenes Making Of Digital VideoPre-order the Digital Deluxe Edition for $79.99 USD / $99.99 CAD MSRP and receive all digital pre-order incentives offered via the Standard Edition. The Digital Deluxe also includes –Special gold versions of in-game items earned through gameplay:Gold “Ludens Mask” SunglassesGold Power Skeleton: Enhance Sam’s ability to handle heavy cargoGold All-Terrain Skeleton: Enhance Sam’s ability to balance himself on uneven terrainGold Armor Plate (Level 2): Stronger protection for Sam against falls, gunfire, and moreDeath Stranding Collector’s Edition ($199.99 USD MSRP / $249.99 CAD MSRP), which includes all Digital Deluxe Edition in-game items and bonus contents, the Special Edition Steelbook, plus:Life-sized BB Pod StatueBRIDGES Cargo CaseLudens KeychainScreenshotsOverviewAfter the collapse of civilization, Sam Bridges must journey across a ravaged landscape crawling with otherworldly threats to save mankind from the brink of extinction. From legendary game creator Hideo Kojima comes an all-new, genre-defying experience for the PlayStation 4 system.Starring Norman Reedus, Mads Mikkelsen, Léa Seydoux, and Lindsay Wagner.A Journey to Reconnect a Fractured SocietyIn the near future, mysterious explosions have rocked the planet, setting off a series of supernatural events known as the Death Stranding. With spectral creatures plaguing the landscape, and the planet on the verge of a mass extinction, it’s up to Sam Bridges to journey across the ravaged wasteland and save mankind from impending annihilation.
Future, Journey, and Life: Captured from a PaytationM Pro imagesreguire a 4K display
 FRA
demifiendrsa:



Death Stranding – Release Date Reveal Trailer. The game will launch for Playstation 4 worldwide on November 8, 2019.Extended Japanese version 

Message from Hideo Kojima

Game editionsPre-order the Standard Edition for $59.99 USD MSRP/ $79.99 CAD MSRP and immediately get a voucher to download a Chibi Ludens PSN Avatar – a stylized version of the iconic logo for Kojima Productions – plus, a Death Stranding PS4 Dynamic Theme at launch.Pre-orders also receive special gold versions of in-game items earned through gameplay:Gold “Sam” SunglassesGold HatGold Speed Skeleton: Increase the speed of Sam’s movement when equippedGold Armor Plate: Increase protection against any damage Sam takesThe Special Edition ($69.99 USD MSRP/ $89.99 CAD MSRP) includes a collectible Steelbook case. Pre-order and receive all incentives offered through the Standard Edition. The Special Edition also includes –A special gold version of the Gold “Ludens Mask” Sunglasses earned through gameplay.As well as these digital bonuses:Music Album Digital DownloadBehind the Scenes Making Of Digital VideoPre-order the Digital Deluxe Edition for $79.99 USD / $99.99 CAD MSRP and receive all digital pre-order incentives offered via the Standard Edition. The Digital Deluxe also includes –Special gold versions of in-game items earned through gameplay:Gold “Ludens Mask” SunglassesGold Power Skeleton: Enhance Sam’s ability to handle heavy cargoGold All-Terrain Skeleton: Enhance Sam’s ability to balance himself on uneven terrainGold Armor Plate (Level 2): Stronger protection for Sam against falls, gunfire, and moreDeath Stranding Collector’s Edition ($199.99 USD MSRP / $249.99 CAD MSRP), which includes all Digital Deluxe Edition in-game items and bonus contents, the Special Edition Steelbook, plus:Life-sized BB Pod StatueBRIDGES Cargo CaseLudens KeychainScreenshotsOverviewAfter the collapse of civilization, Sam Bridges must journey across a ravaged landscape crawling with otherworldly threats to save mankind from the brink of extinction. From legendary game creator Hideo Kojima comes an all-new, genre-defying experience for the PlayStation 4 system.Starring Norman Reedus, Mads Mikkelsen, Léa Seydoux, and Lindsay Wagner.A Journey to Reconnect a Fractured SocietyIn the near future, mysterious explosions have rocked the planet, setting off a series of supernatural events known as the Death Stranding. With spectral creatures plaguing the landscape, and the planet on the verge of a mass extinction, it’s up to Sam Bridges to journey across the ravaged wasteland and save mankind from impending annihilation.

demifiendrsa: Death Stranding – Release Date Reveal Trailer. The game will launch for Playstation 4 worldwide on November 8, 2019.Extende...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

Tumblr, Blog, and Akira: ionlands: One minute behind the scenes of “Akira” (1988)
Tumblr, Blog, and Akira: ionlands:
One minute behind the scenes of “Akira” (1988)

ionlands: One minute behind the scenes of “Akira” (1988)

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...