san


                    
                    
                

                

                

            

        
    







            

            
            

                

                    
                

                

                    

                        


	

	
    
        

            

                
                    
                    
                    
                    

    

        Ends
        

            
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        In 2016
        

            
            In 2016
        

    

    

         
In 2016

    



                
                    
                    
                    
                    

    

        Francisco
        

            
            Francisco
        

    

    

         
Francisco

    



                
                    
                    
                    
                    

    

        Feeling Old
        

            
            Feeling Old
        

    

    

         
Feeling Old

    



                
                    
                    
                    
                    

    

        Jan
        

            
            Jan
        

    

    

         
Jan

    



                
                    
                    
                    
                    

    

        Unaccept
        

            
            Unaccept
        

    

    

         
Unaccept

    



                
                    
                    
                    
                    

    

         oakland
        

            
             oakland
        

    

    

         
 oakland

    



                
                    
                    
                    
                    

    

         things
        

            
             things
        

    

    

         
 things

    



                
                    
                    
                    
                    

    

        support
        

            
            support
        

    

    

         
support

    



                
                    
                    
                    
                    

    

        ced
        

            
            ced
        

    

    

         
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    Paintings, Tumblr, and American: redlipstickresurrected:Laura Ball (American, b. 1972, based San Diego, CA, USA) - Tiger Battle, 2018, Paintings: Watercolor, Graphite
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                Paintings, Tumblr, and American: redlipstickresurrected:Laura Ball (American, b. 1972, based San Diego, CA, USA) - Tiger Battle, 2018, Paintings: Watercolor, Graphite
                
            

            
            
redlipstickresurrected:Laura Ball (American, b. 1972, based San Diego, CA, USA) - Tiger Battle, 2018, Paintings: Watercolor, Graphite

            
            
        

    



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                




    God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
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 ECON CONCON CON
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feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

                
            

            
            
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not...

            
            
        

    



            

        

        
        

            

                




    Click, Tumblr, and Blog: 3 Amsrica
vacationadventuresociety:

(click here for HQ)
Comic Con, San Diego, CA. 24/07/11

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                Click, Tumblr, and Blog: 3 Amsrica
vacationadventuresociety:

(click here for HQ)
Comic Con, San Diego, CA. 24/07/11

                
            

            
            
vacationadventuresociety:

(click here for HQ)
Comic Con, San Diego, CA. 24/07/11


            
            
        

    



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                




    God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

                
            

            
            
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not ...

            
            
        

    



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                



            

        

        
        

            

                




    Beautiful, Cats, and Crying: northeastartist:
cryoverkiltmilk:

kindaoffkilter:

bemusedlybespectacled:

linkislost:

sighinastorm:

tooiconic:

lafayettelabaguette:

beasti:

clarenecessities:

sapphic-matriarchy:

system-fail-ure:

karinanotcinerina:

retro-geek:

ultrafacts:

gatochick:

ultrafacts:

pizzaismylifepizzaisking:

majikkant:

ultrafacts:

Source
Video of Tama

Follow Ultrafacts for more facts

The picture in the background of the second one

Tama is boss



THE TRAINS HAVE CARTOON TAMAS ON THEM

Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]

For those who haven’t read articles about it, the local shrine elevated her to a god.  She’s now the Eternal Stationmaster and patron god of the station.


Beautiful.


Now I’m crying thanks

and a new cat was hired right?

yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard


Everytime this crosses my dash, I reblog. It is the law.


Law


I’m crying at 11pm over train cats

Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.


a legacy 

okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back


“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.


Every time I see this post there’s new info and it gets better


You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                Beautiful, Cats, and Crying: northeastartist:
cryoverkiltmilk:

kindaoffkilter:

bemusedlybespectacled:

linkislost:

sighinastorm:

tooiconic:

lafayettelabaguette:

beasti:

clarenecessities:

sapphic-matriarchy:

system-fail-ure:

karinanotcinerina:

retro-geek:

ultrafacts:

gatochick:

ultrafacts:

pizzaismylifepizzaisking:

majikkant:

ultrafacts:

Source
Video of Tama

Follow Ultrafacts for more facts

The picture in the background of the second one

Tama is boss



THE TRAINS HAVE CARTOON TAMAS ON THEM

Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]

For those who haven’t read articles about it, the local shrine elevated her to a god.  She’s now the Eternal Stationmaster and patron god of the station.


Beautiful.


Now I’m crying thanks

and a new cat was hired right?

yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard


Everytime this crosses my dash, I reblog. It is the law.


Law


I’m crying at 11pm over train cats

Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.


a legacy 

okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back


“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.


Every time I see this post there’s new info and it gets better


You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters. 

                
            

            
            
northeastartist:
cryoverkiltmilk:

kindaoffkilter:

bemusedlybespectacled:

linkislost:

sighinastorm:

tooiconic:

lafayettelabaguette:

be...