Like Wtf
Like Wtf

Like Wtf

Exposion
Exposion

Exposion

Good Meme
Good Meme

Good Meme

you know you want to
 you know you want to

you know you want to

metallic
 metallic

metallic

orderly
orderly

orderly

were
were

were

respectful
respectful

respectful

honorable
honorable

honorable

distress
distress

distress

🔥 | Latest

Bad, Doctor, and Energy: WHAT'S YOUR PERSONALITY? I am SUN, and MOON is what makes me feel emotionally happy, but I express myself in MERCURY way. When it comes to love, I will be VENUS, but when I get angry, I become MARS. Though people see me as RISING Life systematically challenges me to SATURN. My sense of humour is JUPITER. I'm URANUS when it comes to changes and I have the imagination of NEPTUNE. My secret energy and individual powers are aimed at PLUTO. Oh, and not to forget, I'll be absolutely successful as MIDHEAVEN. My deepest inner self can be compared to DOMINANT PLANET/DOMINANT SIGN. Sun Moon Mercury Venus Mars CHALLENGES Aries A REBEL A DIRECT PASSIONATE AGGRESSIVE A PRACTICAL COMMUNICATION A LIGHTHEARTED A GUARDIAN A MASTERMIND Taurus STABILITY RELIABLE STUBBORN Gemini REASONABLE DESTRUCTIVE Cancer A ROMANTIC CARE A SENTIMENTAL NUTRURING NASTY A RINGLEADER A DRAMATIC PRAISE Leo GENEROUS LOUD Virgo A HEALER SECURITY AΝIMPAΤIENT HELPFUL DISTANT Libra AN ARTIST INDIVIDUALITY A TACTFUL THOUGHTFUL CRITICAL Scorpio AN ENIGMA POWER A PIERCING INTENSE VENGEFUL A WANDERER Sagittarius EXPERIENCES A PLAYFUL FLIRTATIOUS INDIFFERENT Сapricorn AN OWNER AUTHENTICITY A CONCISE PROTECTIVE VIOLENT AN INNOVATOR Aquarius FRIENDSHIP A LOGICAL INTRIGUING SARCASTIC AVAGUE Pisces A DREAMER ART COMPASSIONATE SELFISH Rising Saturn Jupiter Uranus Aries BE TOLERANT THE FIGHTER TEASING ENTHUSIASTIC Taurus THE MASTER LOSE WHAT I LOVE MOST GROSS CAUTIOUS MAKE QUICK DECISIONS Gemini THE CHARMER BONDING-IN-THE-MOMENT FLEXIBLE FACE LONELINESS Cancer THE HELPER PARODIC IMPATIENT SACRIFICE MY DIGNITY THE INDIVIDUALIST Leo HYPERBOLIC PUSHY Virgo THE PENDANT DEAL WITH DISASTERS DARK PASSIVE Libra THE AESTHETE FIGHT IRONIC CURIOUS THE SCEPTIC Scorpio CONTROL MY INSTINCTS DRY DISTRUSTING Sagittarius THE COMEDIAN BE STUCK IN A RUT ANECDOTAL ECCENTRIC Capricorn THE VINTAGE SOUL FACE FAILURE SELF-DEPRECATING ANXIOUS Aquarius THE ADVISER BLEND IN WITTY IMPASSIONAED THE ANGEL FACE OVERWHELMING QUIRKY CULTURAL Pisces UNPREDICTABLE STRESS Neptune Pluto Midheaven Aries A MADCAP SEXUALITY AN ATHLETE A STRATEGIST Taurus IMPROVEMENTS AN ARCHITECT Gemini A SCHIZOPHRENE INTELLECTUALITY A TEACHER/ PROFESSOR A WRITER/ POET Cancer A CHILD EMOTIONAL INTENSITY Leo A POET DOMINATION AN ACTOR/ A FILM DIRECTOR A DOCTOR Virgo A SHAMAN OBSESSIONS Libra A DAYDREAMER RELIGION A DESIGNER A PSYCGIKIGUST Scorpio A MANIAC BLACK MAGIC AN IDEALIST Sagittarius EXPLORATIONS A POLITICIAN A LAWYER / JUDGE Сapricorn AN OCCULTIST ΑMΒΙΤIΟNS Aquarius A VISIONARY MANIPULATION A SCIENTIST Pisces A PROHET INTUITION A MUSICIAN Dominant Sign Dominant Planet Sun (Solarian) Moon (Lunarian) Mercury (Mercurian) Venus (Venusian) Mars (Martian) Jupiter (Jupiterian) Saturn (Saturnian) Uranus (Uranian) Neptune (Neptunian) Pluto (Plutonian) A MAJESTIC LIGHTNING Aries A TENDER Taurus FOREST A FATAL Gemini NORTHERN LIGHT A FASCINATING Cancer SEA HEAT A POWERFUL Leo A CHAOTIC Virgo FOG ΑΝ ANCIΕNT Libra RAINBOW AN IRREPRESSIBLE Scorpio TSUNAMI A WAVERING Sagittarius WILDFIRE A MYSTICAL Сapricorn VOLCANO Aquarius STORM MARSH Pisces superpanda112: I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words soooo…. I made this in Word, trying to be less cluttered (sorry for bad quality) ORIGINAL POST BY @youstrology 💖
Bad, Doctor, and Energy: WHAT'S YOUR PERSONALITY?
 I am SUN, and MOON is what makes me feel emotionally happy, but I express myself in MERCURY
 way. When it comes to love, I will be VENUS, but when I get angry, I become MARS. Though people
 see me as RISING
 Life systematically challenges me to SATURN. My sense of humour is JUPITER. I'm URANUS when it
 comes to changes and I have the imagination of NEPTUNE. My secret energy and individual powers
 are aimed at PLUTO.
 Oh, and not to forget, I'll be absolutely successful as MIDHEAVEN.
 My deepest inner self can be compared to DOMINANT PLANET/DOMINANT SIGN.

 Sun
 Moon
 Mercury
 Venus
 Mars
 CHALLENGES
 Aries
 A REBEL
 A DIRECT
 PASSIONATE
 AGGRESSIVE
 A PRACTICAL
 COMMUNICATION A LIGHTHEARTED
 A GUARDIAN
 A MASTERMIND
 Taurus
 STABILITY
 RELIABLE
 STUBBORN
 Gemini
 REASONABLE
 DESTRUCTIVE
 Cancer
 A ROMANTIC
 CARE
 A SENTIMENTAL
 NUTRURING
 NASTY
 A RINGLEADER
 A DRAMATIC
 PRAISE
 Leo
 GENEROUS
 LOUD
 Virgo
 A HEALER
 SECURITY
 AΝIMPAΤIENT
 HELPFUL
 DISTANT
 Libra
 AN ARTIST
 INDIVIDUALITY
 A TACTFUL
 THOUGHTFUL
 CRITICAL
 Scorpio
 AN ENIGMA
 POWER
 A PIERCING
 INTENSE
 VENGEFUL
 A WANDERER
 Sagittarius
 EXPERIENCES
 A PLAYFUL
 FLIRTATIOUS
 INDIFFERENT
 Сapricorn
 AN OWNER
 AUTHENTICITY
 A CONCISE
 PROTECTIVE
 VIOLENT
 AN INNOVATOR
 Aquarius
 FRIENDSHIP
 A LOGICAL
 INTRIGUING
 SARCASTIC
 AVAGUE
 Pisces
 A DREAMER
 ART
 COMPASSIONATE
 SELFISH

 Rising
 Saturn
 Jupiter
 Uranus
 Aries
 BE TOLERANT
 THE FIGHTER
 TEASING
 ENTHUSIASTIC
 Taurus
 THE MASTER
 LOSE WHAT I LOVE MOST
 GROSS
 CAUTIOUS
 MAKE QUICK DECISIONS
 Gemini
 THE CHARMER
 BONDING-IN-THE-MOMENT
 FLEXIBLE
 FACE LONELINESS
 Cancer
 THE HELPER
 PARODIC
 IMPATIENT
 SACRIFICE MY DIGNITY
 THE INDIVIDUALIST
 Leo
 HYPERBOLIC
 PUSHY
 Virgo
 THE PENDANT
 DEAL WITH DISASTERS
 DARK
 PASSIVE
 Libra
 THE AESTHETE
 FIGHT
 IRONIC
 CURIOUS
 THE SCEPTIC
 Scorpio
 CONTROL MY INSTINCTS
 DRY
 DISTRUSTING
 Sagittarius
 THE COMEDIAN
 BE STUCK IN A RUT
 ANECDOTAL
 ECCENTRIC
 Capricorn THE VINTAGE SOUL
 FACE FAILURE
 SELF-DEPRECATING
 ANXIOUS
 Aquarius
 THE ADVISER
 BLEND IN
 WITTY
 IMPASSIONAED
 THE ANGEL
 FACE OVERWHELMING
 QUIRKY CULTURAL
 Pisces
 UNPREDICTABLE
 STRESS

 Neptune
 Pluto
 Midheaven
 Aries
 A MADCAP
 SEXUALITY
 AN ATHLETE
 A STRATEGIST
 Taurus
 IMPROVEMENTS
 AN ARCHITECT
 Gemini
 A SCHIZOPHRENE
 INTELLECTUALITY
 A TEACHER/ PROFESSOR
 A WRITER/ POET
 Cancer
 A CHILD
 EMOTIONAL INTENSITY
 Leo
 A POET
 DOMINATION
 AN ACTOR/ A FILM DIRECTOR
 A DOCTOR
 Virgo
 A SHAMAN
 OBSESSIONS
 Libra
 A DAYDREAMER
 RELIGION
 A DESIGNER
 A PSYCGIKIGUST
 Scorpio
 A MANIAC
 BLACK MAGIC
 AN IDEALIST
 Sagittarius
 EXPLORATIONS
 A POLITICIAN
 A LAWYER / JUDGE
 Сapricorn
 AN OCCULTIST
 ΑMΒΙΤIΟNS
 Aquarius
 A VISIONARY
 MANIPULATION
 A SCIENTIST
 Pisces
 A PROHET
 INTUITION
 A MUSICIAN

 Dominant Sign
 Dominant Planet
 Sun (Solarian)
 Moon (Lunarian)
 Mercury (Mercurian)
 Venus (Venusian)
 Mars (Martian)
 Jupiter (Jupiterian)
 Saturn (Saturnian)
 Uranus (Uranian)
 Neptune (Neptunian)
 Pluto (Plutonian)
 A MAJESTIC
 LIGHTNING
 Aries
 A TENDER
 Taurus
 FOREST
 A FATAL
 Gemini
 NORTHERN LIGHT
 A FASCINATING
 Cancer
 SEA
 HEAT
 A POWERFUL
 Leo
 A CHAOTIC
 Virgo
 FOG
 ΑΝ ANCIΕNT
 Libra
 RAINBOW
 AN IRREPRESSIBLE
 Scorpio
 TSUNAMI
 A WAVERING
 Sagittarius
 WILDFIRE
 A MYSTICAL
 Сapricorn
 VOLCANO
 Aquarius
 STORM
 MARSH
 Pisces
superpanda112:

I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words soooo…. I made this in Word, trying to be less cluttered (sorry for bad quality)

ORIGINAL POST BY @youstrology 💖

superpanda112: I have stumbled upon this post many times and every time it bothered me that you have to scroll a lot to know the words sooo...

Ash, Bad, and Chill: Sat, Jun 22, 18:36 Hello traveller, I am your guide. Are you ready to begin your quest? Hello stranger, what do I need to do, to complete your request. You have to recover a long time lost manuscript held by a famous necromancer. Your journey begins in a forest. The left of you is a mountain with a large boulder blocking it's entrance, in front of you is an ancient graveyard. Some of the greatest heroes of the realm rest there I would like to investigate the grave- yard of it looks chill or haunted. Not strong enough to push that boulder As you enter the graveyard you notice old tombstones crumbling, scribed in language too ancient to be known by any living creature. While searching around you find a crypt, the front door has been knocked open, you can hear a soft gust of wind coming from inside. I copy the ancient text, best as possible. I use 'produce flame' when I enter the crypt. As you go in the light from your spell fills the room, you notice the coffins that adorn the walls and a spiral staircase that leads further down, at the bottom of it lies a large room, broken pillars, and a statue of Sild, the Warlock. A very powerful wizard from centuries past. Further away, with barely any light around it, you see a creature in a black robe facing away, as it ignores you on purpouse. There's a corpse on an alter in front of it, and it's hands deep inside it As I enter the room I go "excuuuuuse me, but it's not nice to sacrifice people" en hold my flame ready to attack if he would attack me... The creature in black turns annoyed by your interference, you see a beetle crawl out of it's eye socket, it's deformed face makes your stomach sick, as you think that eating all those fries before entering a graveyard was a bad idea. A purple light starts forming as he moves his hands together With a quick look around you notice a large floating orb 3 meters above the creature's head. You remember the old legend of Sild's orb, which he used teleport anywhere in the world. Nasty! God damn it those fries! I shoot my flame to the orb so the bug guy can't escape. And pull out my scimitar ready to attack As your flame hits, the orb shatters into what seems to be glass spikes, flying everywhere, further damaging the room. Some hit the creature, tearing his black robes just to reveal pieces of rotting flesh. The stench of death takes over the room, you can't hold those fries anymore, as you make an effort to not puke onto your brand new heels -and you hear your own voice in your head WHY WOULD YOU GO INTO A GRAVEYARD USING HEELS WOMAN ? As you get distracted, the creature fires his spell, you quickly block it with your scimitar, but it flies away from your hand. You are disarmed and the creature starts running in your direction "I DON'T I WANTED SOMETHING DIFFERENT THEN THE USUAL SNEAKERS as I replied to my own question. I take them of hold them as a weapon ready to defend myself against the ugly bug dude. And try to figure out if I can back to my scimitar. As you dual-wield your brand new puke-free heels you notice a two fast moving shadows moving behind the creature. Desperation starts to hit as you are outnumbered and your scimitar is nowhere to be seen, suddenly the shadows jump onto the creatures head and start attacking him. IT'S YOUR FAMILIARS, your thank yourself for installing that catdoor years ago. The creature loses balance just as it reaches you, slipping and faceplanting your puddle fries and cola that rested on the floor. You plunge it's head with both heels. It explodes and the creature slowly starts turning into ashes... You give a well deserved pet to them. The comforting purring sounds fills the room, you feel safe now. One of your familiars starts digging into the ash pile, as he found something of value there. IT'S A FORTUNE COOKIE! I go like "Oooh cookie!" I break it open and eat the cookie while I read. And also keep petting them, like a good rub under the chin. You slowly chew the cookie, the slight chocolate taste is well welcome at this moment, unravel the note, and it says , hit me up for fries & movies sometime. Sept Her profile said she was into RPGs
Ash, Bad, and Chill: Sat, Jun 22, 18:36
 Hello traveller, I am your guide. Are you
 ready to begin your quest?
 Hello stranger, what do I need to do,
 to complete your request.
 You have to recover a long time
 lost manuscript held by a famous
 necromancer. Your journey begins in a
 forest. The left of you is a mountain with
 a large boulder blocking it's entrance,
 in front of you is an ancient graveyard.
 Some of the greatest heroes of the
 realm rest there
 I would like to investigate the grave-
 yard of it looks chill or haunted. Not
 strong enough to push that boulder
 As you enter the graveyard you notice
 old tombstones crumbling, scribed in
 language too ancient to be known by
 any living creature. While searching
 around you find a crypt, the front door
 has been knocked open, you can hear
 a soft gust of wind coming from inside.
 I copy the ancient text, best as
 possible. I use 'produce flame' when I
 enter the crypt.
 As you go in the light from your spell
 fills the room, you notice the coffins that
 adorn the walls and a spiral staircase
 that leads further down, at the bottom
 of it lies a large room, broken pillars,
 and a statue of Sild, the Warlock. A very
 powerful wizard from centuries past.
 Further away, with barely any light
 around it, you see a creature in a black
 robe facing away, as it ignores you on
 purpouse. There's a corpse on an alter
 in front of it, and it's hands deep inside
 it
 As I enter the room I go "excuuuuuse
 me, but it's not nice to sacrifice
 people" en hold my flame ready to
 attack if he would attack me...
 The creature in black turns annoyed
 by your interference, you see a
 beetle crawl out of it's eye socket, it's
 deformed face makes your stomach
 sick, as you think that eating all those
 fries before entering a graveyard was
 a bad idea. A purple light starts forming
 as he moves his hands together
 With a quick look around you notice a
 large floating orb 3 meters above the
 creature's head. You remember the
 old legend of Sild's orb, which he used
 teleport anywhere in the world.
 Nasty! God damn it those fries! I shoot
 my flame to the orb so the bug guy
 can't escape. And pull out my scimitar
 ready to attack
 As your flame hits, the orb shatters into
 what seems to be glass spikes, flying
 everywhere, further damaging the
 room. Some hit the creature, tearing
 his black robes just to reveal pieces of
 rotting flesh. The stench of death takes
 over the room, you can't hold those
 fries anymore, as you make an effort
 to not puke onto your brand new heels
 -and you hear your own voice in your
 head WHY WOULD YOU GO INTO A
 GRAVEYARD USING HEELS WOMAN ?
 As you get distracted, the creature
 fires his spell, you quickly block it with
 your scimitar, but it flies away from
 your hand. You are disarmed and the
 creature starts running in your direction
 "I DON'T I WANTED SOMETHING
 DIFFERENT THEN THE USUAL
 SNEAKERS as I replied to my own
 question. I take them of hold them
 as a weapon ready to defend myself
 against the ugly bug dude. And try to
 figure out if I can back to my scimitar.
 As you dual-wield your brand new
 puke-free heels you notice a two fast
 moving shadows moving behind the
 creature. Desperation starts to hit as
 you are outnumbered and your scimitar
 is nowhere to be seen, suddenly the
 shadows jump onto the creatures head
 and start attacking him. IT'S YOUR
 FAMILIARS, your thank yourself for
 installing that catdoor years ago.
 The creature loses balance just as it
 reaches you, slipping and faceplanting
 your puddle fries and cola that rested
 on the floor.
 You plunge it's head with both heels. It
 explodes and the creature slowly starts
 turning into ashes... You give a well
 deserved pet to them. The comforting
 purring sounds fills the room, you feel
 safe now. One of your familiars starts
 digging into the ash pile, as he found
 something of value there.
 IT'S A FORTUNE COOKIE!
 I go like "Oooh cookie!" I break it open
 and eat the cookie while I read. And
 also keep petting them, like a good
 rub under the chin.
 You slowly chew the cookie, the slight
 chocolate taste is well welcome at this
 moment, unravel the note, and it says
 , hit me up for fries &
 movies sometime.
 Sept
Her profile said she was into RPGs

Her profile said she was into RPGs

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...