What Does The President Do
What Does The President Do

What Does The President Do

President Trump
President Trump

President Trump

The
The

The

Not
Not

Not

point
point

point

ever
ever

ever

comming
comming

comming

overeating
overeating

overeating

missed
missed

missed

seeing
seeing

seeing

🔥 | Latest

Beautiful, Bored, and Head: Here's a prime example of "Men Are From Mars, Women Are From Venus" offered by an English professor from the University of Phoenix: The professor told his class one day: Today we will ex- periment with a new form called the tandem story The process is simple. Each person will pair off with the person sitting to his or her immediate right. As home- work tonight, one of you will write the first paragraph of a short story. You will e-mail your partner that para- graph and send another copy to me. The partner will read the first paragraph and then add another para- graph to the story and send it back, also sending an- other copy to me. The first person will then add a third paragraph, and so on back-and-forth. Remember to re-read what has been written each time in order to keep the story coherent. There is to be ab- solutely NO talking outside of the e-mails and any- thing you wish to say must be written in the e-mail. The story is over when both agree a con- clusion has been reached." The following was actually turned in by two of his English students: Rebecca and Gary THE STORY: (first paragraph by Rebecca) At first, Laurie couldn't decide which kind of tea she wanted. The chamomile, which used to be her favorite for lazy evenings at home, now reminded her too much of Carl, who once said, in happier times, that he liked chamomile. But she felt she must now, at all costs, keep her mind off Carl. His possessiveness was suffocating, and if she thought about him too much her asthma started acting up again. So chamomile was out of the second paragraph by Gary) Meanwhile, Advance Sergeant Carl Harris, leader of the attack squadron now in orbit over Skylon 4, had more important things to think about than the neuroses of an air-headed asthmatic bimbo named Laurie with whom he had spent one sweaty night over a year ago. "A.S. Harris to Geostation 17," he said into his transgalactic communicator. " Polar orbit established. No sign of resistance so far..." But before he could sign off a bluish particle beam flashed out of nowhere and blasted a hole through his ship's cargo bay. The jolt from the direct hit sent him flying out of his seat and across the ####pit. (Rebecca) He bumped his head and died almost immediately, but not before he felt one last pang of regret for psychically brutalizing the one woman who had ever had feelings for him. Soon afterwards, Earth stopped its pointless hostilities towards the peace ful farmers of Skylon 4. "Congress Passes Law Per- manently Abolishing War and Space Travel," Laurie read in her newspaper one morning. The news si- multaneously excited her and bored her. She stared out the window, dreaming of her youth, when the days had passed unhurriedly and care- free, with no newspaper to read, no television to distract her from her sense of innocent wonder at all the beautiful things around her. "Why must one lose one's innocence to become a woman?" she pondered wistfully Gary) Little did she know, but she had less than 10 sec- onds to live. Thousands of miles above the city, the Anu'udrian mothership launched the first of its lithium fusion missiles. The dimwitted wimpy peaceniks who pushed the Unilateral Aerospace disarmament Treaty through the congress had left Earth a defenseless target for the hostile alien em- pires who were determined to destroy the human race. Within two hours after the passage of the treaty the Anu'udrian ships were on course for Earth, carrying enough firepower to pulverize the With no one to stop them, they swiftly initiated their diabolical plan. The lithium fusion missile en- tered the atmosphere unimpeded. The President, in his top-secret mobile submarine headquarters on the ocean floor off the coast of Guam, felt the inconceivably massive explosion, which vaporized poor, stupid Laurie. (Rebecca) This is absurd. I refuse to continue this mockery of literature. My writing partner is a violent, chauvin- istic semi-literate adolescent. Gary) Yeah? Well, my writing partner is a self-centered tedious neurotic whose attempts at writing are the literary equivalent of Valium. Oh, shall I have chamomile tea? Or shall I have some other sort of F-KING TEA??? Oh no, what am I to do? I'm such an air headed bimbo who reads too many Danielle Steele novels!" Gary) B*tch. (Rebecca) F K YOU-YOU NEANDERTHALI In your dreams, Ho. Go drink some tea. A+ Ireally liked this one. epicjohndoe: A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
Beautiful, Bored, and Head: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’

epicjohndoe: A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...