Copped
Copped

Copped

Michel
Michel

Michel

The
The

The

Beasley
Beasley

Beasley

robert alford
 robert alford

robert alford

the horror
 the horror

the horror

scenery
 scenery

scenery

40 year
 40 year

40 year

momentous
momentous

momentous

johns
johns

johns

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God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...

Bae, Beijing, and Doug: Stavanger Eldar Setre (Equinor) Grethe Moen (Petoro) THE DECOLONIAL ATLAS Copenhagen Søren Skou (Maersk) Calgary Doug Suttles (Encana) Rob Peabody (Husky Energy) Steve Williams (Suncor) Donald Lindsay (Teck) Tim Mckay (Canadian Natural) Moscow Alexey Miler (Gazprom Igor Sechin (Rosneft) Vagit Alekperov (Lukoil) Vadimir Bogdanov (Surgutneftegas) Viadimir Rashevsky (SUEK) Almetyevsk Tarko-Sale Surgut Leonid Mikhelson (Novatek) Vancouver Den Haag Ben van Beurden (Royal Dutch Shell) Nail Maganov (Tatneft) Ekibastuz Nikolay Korsakov (Bogatyr Komir) Katowice Krzysztof Sedakowski (Polska Grupa G Findlay Colin Marshall (Cloud Peak Energy) Gary Heminger (Marathon) Cleveland Gillette Pyongyang London Bob Dudey (BPy Jean-Sábastien Jacques (Rio Tinto) bae(KazMunayGas) Beijing Mun Myong-hak (Ministry of Coal) Dai Houliang (Sinopec) Li Fanrong (CNOOC) Ling Wen (China Energy) Zhang Jianhua (CNPC) Sauat Mynbayev (KazMunayGas) New York Alfred Rankin (NACCOohn Hess (Hess) Karviná Boleslav Kowalczyk (OKD) K TEK) Ashgabat Omaha Denver Michael Hutchinson (Westmoreland Coal) St LouRobert Murray (Mumray Energy) Glenn Kellow (Peabody) Essen Rolf Martin Schmitz (RWE) Pittsburgh John Eaves (Arch Coa Nicholas Delulis (Consol Energy) Kingsport David Stetson (Alpha Natural Resources) Ashirguli Begliyev (TurkmenGaz) Dovletdurdy Hadzhyev (Turkmennebit) Tehran Masoud Karbasian (National Iranian Oil) Baghdad Tokyo Shunichi Nakaigawa (Inpex) Bay Area Mike Wirth (Chevron) Paris Tulsa Patrick Pouyanné (Total) Joseph Craft (Alliance Resource Partners) Oklahoma City David Hager (Devon Energy) Doug Lawler (Chesapeake Energy) El Dorado Vienna Zürich Rainer Seele (OMV) Ivan Glasenberg (Glencore) Jabbar Al-luiebi (Iraq National Oil) Dallas Roger Jenkins (Murphy O) Curtis Morgan (Vistra Energy) Darren Woods (ExonMobil) Delhi Kuwait City Shashi Shankar (ONGC) Birmingham Michael Tracy (Drummond) Damascus Hashem Hashem (KPC) Kolkata Roma Wase Al-Himed (SPC) Abu Dhabi Madrid Josu lmaz (Repsol) Claudio Descalzi (Enl Anil Kumar Jha (Coal India) Houston ) Dammam Ahmed Al Jaber (ADNOC) Amin Nasser (Saudi Aramco) Kothagudem Corbin Robertson (Natural Resource Partners) David Stover (Noble Energy) John Christmann (Apache) Muscat Algiers Rachid Hachichi (Sonatrach) Bangkok Somruedee Chaimongkol (Banpu) Bahrain Raoul Restucci (PDO) Sni Sridhar (SCCL) México Octavio Romero (Pemex) AWalker (Anadarko Petroleum) Cairo Pete Bartiett (BAPCO) Tripoli Tarek El Molla (EGPC) Doha Ryan Lance (ConocoPhilips) Wiliam Way (Southwestern Energy) William Thomas (EOG Resources) Mustafa Sanalla (Libya NOC) Saad Sherida A-Kaabi (QP) Kuala Lumpur Wan Zulkiflee (Pefronas) Abuja Maikanti Baru (Nigerian National Petroleum) Caracas Bogotá Manuel Quevedo (Petróleos de Venezuela) Felipe Bayon (Ecopetrol) Quito Marcelo Proano (Petroecuador) Balikpapan Garibaldi Thohir (Adaro Energy) Palembang Luanda Carlos Saturnino (Sonangol) Arviyan Arifin (Bukit Asam) Jakarta Bob Kamandanu (Berau Coal Energy) Arsjad Rasjid (Indika Energy) Kurnia Ariawan (Kideco) Nicke Widyawati (Pertamina Saptari Hoedaja (Bumi Resources) Johannesburg-Pretoria Mark Cutifani (Anglo American) Mxolisi Mgojo (Exxaro) Stephen Comell (Sasol) Rio de Janeiro Roberto Castello Branco (Petrobras) Buenos Aires Daniel González (YPF) Melbourne Andrew Mackenzie (BHP) 100 companies are responsible for most of the world's greenhouse gas emissions These are the NAMES AND LOCATIONS of their executives Country sizes depict cumulative CO2 emissions from 1850-2011
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 100 companies are responsible for most of the world's greenhouse gas emissions
 These are the NAMES AND LOCATIONS of their executives
 Country sizes depict cumulative CO2 emissions from 1850-2011
Tumblr, Blog, and Fight: CHAPMAN JENKINS thats-tea: Two people get into Fist fight use Tongs like swords while fencing over Crab Legs at Buffet.
Tumblr, Blog, and Fight: CHAPMAN
 JENKINS
thats-tea:

Two people get into Fist fight  use Tongs like swords while fencing over Crab Legs at Buffet.

thats-tea: Two people get into Fist fight use Tongs like swords while fencing over Crab Legs at Buffet.

Alive, Ass, and Friends: whotheeffisbucky: fantastic-fantasy-fanfics: whotheeffisbucky: angryschnauzer: comicbookfilms: Justice League (2017) dir. Zack Snyder Only a male director would put an upskirt shot into a movie and hope no one mentions it. @angryschnauzer RIGHT? RIGHT?!  The huge difference between the way she’s shot in the Patty Jenkins film compared to this is ridiculous. It’s framed in such a way that we could be viewing her actual vagina, but the shadowing leaves a little more to the imagination. The male gaze is alive and kicking, my friends.  I could write an entire essay about this, but this is one of the most clear cut examples I can think of.  You can’t see up her skirt? And it’s to make her look taller? More intimidating? If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag. You can’t. Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter. So if you’re going to blame someone, don’t blame Zach for this, blame Joss Whedon. Zach’s cut if Justice League ACTUALLY respected Diana If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag. You can’t. Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter. @fantastic-fantasy-fanfics That’s not the point I was making. Neither director has been mentioned at all in this post. There are alternative ways to make an individual look taller. The Dutch Shot has many uses. Example:The camera is tilted and keeps both actors in frame, whilst achieving the desired effect. What I’m arguing is wrong is the choice of angle that deliberately places Wonder Woman in a position to be looked at in a sexual manner. Moreover, an upskirt shot does not have to include any bare flesh at all. If anything, it’s designed to imply, rather than simply show. It’s not an issue with Zach Snyder, there was never any mention of him. But the issue still stands: the shot was clearly done to appease the male gaze and is needlessly oversexualised. It’s a standing problem in popular film and looks very obvious here when you compare it to how Patty Jenkins shot the Wonder Woman film.
Alive, Ass, and Friends: whotheeffisbucky:

fantastic-fantasy-fanfics:
whotheeffisbucky:

angryschnauzer:

comicbookfilms:
Justice League (2017) dir. Zack Snyder

Only a male director would put an upskirt shot into a movie and hope no one mentions it. 

@angryschnauzer RIGHT? RIGHT?! 
The huge difference between the way she’s shot in the Patty Jenkins film compared to this is ridiculous. It’s framed in such a way that we could be viewing her actual vagina, but the shadowing leaves a little more to the imagination. The male gaze is alive and kicking, my friends. 
I could write an entire essay about this, but this is one of the most clear cut examples I can think of. 

You can’t see up her skirt?  And it’s to make her look taller?  More intimidating? If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag.  You can’t.  Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter.  So if you’re going to blame someone, don’t blame Zach for this, blame Joss Whedon.  Zach’s cut if Justice League ACTUALLY respected Diana 
If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag.  You can’t.
Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter.

@fantastic-fantasy-fanfics That’s not the point I was making. Neither director has been mentioned at all in this post. There are alternative ways to make an individual look taller. The Dutch Shot has many uses. Example:The camera is tilted and keeps both actors in frame, whilst achieving the desired effect. What I’m arguing is wrong is the choice of angle that deliberately places Wonder Woman in a position to be looked at in a sexual manner. Moreover, an upskirt shot does not have to include any bare flesh at all. If anything, it’s designed to imply, rather than simply show. It’s not an issue with Zach Snyder, there was never any mention of him. But the issue still stands: the shot was clearly done to appease the male gaze and is needlessly oversexualised. It’s a standing problem in popular film and looks very obvious here when you compare it to how Patty Jenkins shot the Wonder Woman film.

whotheeffisbucky: fantastic-fantasy-fanfics: whotheeffisbucky: angryschnauzer: comicbookfilms: Justice League (2017) dir. Zack Snyder On...

7-Eleven, A Dream, and Basketball: 221biotchplease: leaveittotegan: lumnie: chemisquid: dippersballoon: I saw an opportunity and I took it This is what they mean when they say life flashes before your eyes as you die For those wondering, the song is ”Mr. Blue Sky” by ELO. Perhaps someone beat me to it, but here are ALL of the featured vines, in order of appearance: I won’t hesitate bitch Hi my name is Tre and I have a basketball game tomorrow Whaddup, I’m Jared I’m 19 and I never fucking learned how 2 read Kermit the Frog jumps off building Fr e sh a voca do back at it again at Krispy Kreme There is only one thing worse than a rapist Club Jam (yes a really good book) At least the taco was free I am the Sand Guardian, guardian of the sand Grandma loves ping pong too much If your name is Junior Welcome to Target I’m just cooking pizza Cole Sprouse dress-up game On all levels except physical, I am a Wolf Kid hits ceiling of gym with rope (breaking free) Kid smacked by fly swatter Fuck it up Kenneth (my boy going to school) Um I’m not finished (Tyler the Creator) WE’RE BREAKING FREE SAIL I’m Squidward So I’m sitting there, barbecue sauce on my tiddies So no head? (breaking skateboard) Actually, Megan (I can’t sit anywhere) No off topic questions (Chris Christie) What the fuck, Richard Drop it like it’s hot (its just luke) Bored as shiiiiii Liberian accent (plasma globe) New haircut (Parker Kit Hill) Summertime sadness (chicken) More like hurricane TORTILLA I got an a-bor-tion All Around the World (TheJasminator) When there’s a cutie next to you at a red light Snake licks lollipop Accept yourself, love yourself Be whatever you wanna be Don’t touch Zac’s music (LENARR) Whoever threw that paper, your mom’s a ho Can I please get a waffle? Turn off the flash you fucking moron (Star Wars) Ebony Jenkins (shut up!) Kevin, watch the light dude Horse meditation A girl a dream a clothing hanger Is that a weed? (911 microwave) Helium balloons (floating car) Fireplace fairy I’m your freestyle dance teacher I can’t believe you’ve done this Which way the Quiznos is Impossible paper toss shot Hemtube (dancing with cat) I nurture my skin (Shaq) Why are you running Happy birthday? Thicker than a bowl of oatmeal (courtroom) Farkle falling Fuck you (soda machine) Squash banana (the branch I was holding broke) Take On Me And now my sock is wet (water gun) All I ever wanted was some motherfuckin guala When there’s too much drama at school Two bros chillin in the Hot Tub What’s your name? (ouija board) Chillary Clinton (chillin in Cedar Rapids) Guy drops slurpee (7-Eleven) Girl scared of convertible car Guy who is self-conscious about his lisp (Rice Krispies Treats) Would you like the spider on your hand? Shopping cart crash We actually have the chip reader now I’M A GIRAFFE Dinner with Zayn Malik (Chihuahua eating spaghetti) I HOPE IT’S HELPFUL TO SOMEONE! Peace ( ͡~ ͜ʖ ͡°) this gave me such a warm feeling i legit teared up no joke BEAUTY
7-Eleven, A Dream, and Basketball: 221biotchplease:

leaveittotegan:

lumnie:

chemisquid:

dippersballoon:
I saw an opportunity and I took it
This is what they mean when they say life flashes before your eyes as you die

For those wondering, the song is ”Mr. Blue Sky” by ELO.


Perhaps someone beat me to it, but here are ALL of the featured vines, in order of appearance:

I won’t hesitate bitch

Hi my name is Tre and I have a basketball game tomorrow

Whaddup, I’m Jared I’m 19 and I never fucking learned how 2 read

Kermit the Frog jumps off building

Fr e sh a voca do

back at it again at Krispy Kreme

There is only one thing worse than a rapist

Club Jam (yes a really good book)

At least the taco was free

I am the Sand Guardian, guardian of the sand

Grandma loves ping pong too much

If your name is Junior

Welcome to Target

I’m just cooking pizza

Cole Sprouse dress-up game

On all levels except physical, I am a Wolf

Kid hits ceiling of gym with rope (breaking free)

Kid smacked by fly swatter

Fuck it up Kenneth (my boy going to school)

Um I’m not finished (Tyler the Creator)

WE’RE BREAKING FREE

SAIL

I’m Squidward

So I’m sitting there, barbecue sauce on my tiddies

So no head? (breaking skateboard)

Actually, Megan (I can’t sit anywhere)

No off topic questions (Chris Christie)

What the fuck, Richard

Drop it like it’s hot (its just luke)

Bored as shiiiiii

Liberian accent (plasma globe)

New haircut (Parker Kit Hill)

Summertime sadness (chicken)

More like hurricane TORTILLA

I got an a-bor-tion

All Around the World (TheJasminator)

When there’s a cutie next to you at a red light

Snake licks lollipop

Accept yourself, love yourself

Be whatever you wanna be

Don’t touch Zac’s music (LENARR)

Whoever threw that paper, your mom’s a ho

Can I please get a waffle?

Turn off the flash you fucking moron (Star Wars)

Ebony Jenkins (shut up!)

Kevin, watch the light dude

Horse meditation
A girl a dream  a clothing hanger

Is that a weed? (911 microwave)

Helium balloons (floating car)

Fireplace fairy

I’m your freestyle dance teacher

I can’t believe you’ve done this

Which way the Quiznos is

Impossible paper toss shot

Hemtube (dancing with cat)

I nurture my skin (Shaq)

Why are you running

Happy birthday?

Thicker than a bowl of oatmeal (courtroom)

Farkle falling

Fuck you (soda machine)

Squash banana (the branch I was holding broke)

Take On Me

And now my sock is wet (water gun)

All I ever wanted was some motherfuckin guala

When there’s too much drama at school

Two bros chillin in the Hot Tub

What’s your name? (ouija board)

Chillary Clinton (chillin in Cedar Rapids)

Guy drops slurpee (7-Eleven)

Girl scared of convertible car

Guy who is self-conscious about his lisp (Rice Krispies Treats)

Would you like the spider on your hand?

Shopping cart crash

We actually have the chip reader now

I’M A GIRAFFE

Dinner with Zayn Malik (Chihuahua eating spaghetti)
I HOPE IT’S HELPFUL TO SOMEONE! Peace ( ͡~ ͜ʖ ͡°)



this gave me such a warm feeling i legit teared up no joke

BEAUTY

221biotchplease: leaveittotegan: lumnie: chemisquid: dippersballoon: I saw an opportunity and I took it This is what they mean when they...