It
It

It

And There
And There

And There

10 Years Ago
10 Years Ago

10 Years Ago

Jamaica Memes
Jamaica Memes

Jamaica Memes

Could
Could

Could

Being
Being

Being

About
About

About

Https
Https

Https

Any More
Any More

Any More

Have
Have

Have

🔥 | Latest

It Now: superheroesincolor: Encyclopedia of Black Comics (2017) The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry.  The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture. By Sheena C. Howard Get it now here Sheena C. Howard, is the  Past Chair of the Black Caucus (NCA) and Associate Professor of Communication at Rider University. Howard is an award-winning author, including a 2014 Eisner Award winner for her first book, Black Comics: Politics of Race and Representation (2013). She is also the author of Black Queer Identity Matrix (2014) and Critical Articulations of Race, Gender and Sexual Orientation (2014). Howard has appeared on NPR (National Public Radio), 900 am WURD, Philadelphia Weekly and CCP-TV as well as other networks and documentaries as an expert on popular culture, race, politics and sexual identity negotiation. She has also written opinion pieces for the Trentonian and the Huffington Post. [Follow SuperheroesInColor faceb / instag / twitter / tumblr / pinterest]
It Now: superheroesincolor:
Encyclopedia of Black Comics (2017)
The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. 
The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.
By Sheena C. Howard
Get it now here

Sheena C. Howard, is the  Past Chair of the Black Caucus (NCA) and Associate Professor of Communication at Rider University. Howard is an award-winning author, including a 2014 Eisner Award winner for her first book, Black Comics: Politics of Race and Representation (2013). She is also the author of Black Queer Identity Matrix (2014) and Critical Articulations of Race, Gender and Sexual Orientation (2014). Howard has appeared on NPR (National Public Radio), 900 am WURD, Philadelphia Weekly and CCP-TV as well as other networks and documentaries as an expert on popular culture, race, politics and sexual identity negotiation. She has also written opinion pieces for the Trentonian and the Huffington Post.


[Follow SuperheroesInColor faceb / instag / twitter / tumblr / pinterest]

superheroesincolor: Encyclopedia of Black Comics (2017) The Encyclopedia of Black Comics, focuses on people of African descent who have p...

It Now: queendeedee: queendeedee: seriously though This drawing has gotten so many notes it now has more than one porn blog reblogging it trying to promote themselves. 
It Now: queendeedee:
queendeedee:
seriously though
This drawing has gotten so many notes it now has more than one porn blog reblogging it trying to promote themselves. 

queendeedee: queendeedee: seriously though This drawing has gotten so many notes it now has more than one porn blog reblogging it trying...

It Now: afloweroutofstone: iamicecreamsbitch: averyterrible: afloweroutofstone: afloweroutofstone: the-real-numbers: identicaltomyself: argumate: afloweroutofstone: Spent the last four hours or so starting on a new project: mapping the locations of famous horror movies set in America. It’s a work in progress, y’all’ see more when I’m done. this is like when the RAF tried to figure out where to armour their bombers by looking at the distribution of bullet holes; the empty area on the map is where nobody lived to tell the tale. It follows population density pretty closely except that the desert Southwest is over represented. Is that because it’s close to Hollywood? Cheap to shoot in? High density of chupacabras? That’s just where the spooky is. Everything else is just noise from large populations. Since @argumate​ brought this back, here’s what the map looks like today: I started adding any horror movie at all, not just well-known ones. Also, it’s global now! @cominyern​ Subgenre!  Red is killer/slasher/psychological Blue is monster/creature Yellow is ghost/spirit/demon Green is alien Black is zombies Purple is vampires It lets you look at some cool regional trends, like how ghosts are huge in New England while aliens and vampires have a cluster in the Southwest. that the original had a lot of black in Pittsburgh is unsurprising, given where a certain George Romero came from, but it now has an interesting relative density and variety. (i blame the Tom Savini practical effects school in Monessen, personally) I wish this was an interactive map I want to find and watch my “local” horror movies! Ask and you shall receive! Here’s a link to explore the map for your local horror movies!
It Now: afloweroutofstone:

iamicecreamsbitch:

averyterrible:


afloweroutofstone:

afloweroutofstone:

the-real-numbers:

identicaltomyself:


argumate:


afloweroutofstone:
Spent the last four hours or so starting on a new project: mapping the locations of famous horror movies set in America. It’s a work in progress, y’all’ see more when I’m done.
this is like when the RAF tried to figure out where to armour their bombers by looking at the distribution of bullet holes; the empty area on the map is where nobody lived to tell the tale.


It follows population density pretty closely except that the desert Southwest is over represented. Is that because it’s close to Hollywood? Cheap to shoot in? High density of chupacabras?


That’s just where the spooky is. Everything else is just noise from large populations.

Since @argumate​ brought this back, here’s what the map looks like today:
I started adding any horror movie at all, not just well-known ones. Also, it’s global now!

@cominyern​ Subgenre! 
Red is killer/slasher/psychological
Blue is monster/creature
Yellow is ghost/spirit/demon
Green is alien
Black is zombies
Purple is vampires
It lets you look at some cool regional trends, like how ghosts are huge in New England while aliens and vampires have a cluster in the Southwest.

that the original had a lot of black in Pittsburgh is unsurprising, given where a certain George Romero came from, but it now has an interesting relative density and variety.

(i blame the Tom Savini practical effects school in Monessen, personally)



I wish this was an interactive map I want to find and watch my “local” horror movies! 

Ask and you shall receive! Here’s a link to explore the map for your local horror movies!

afloweroutofstone: iamicecreamsbitch: averyterrible: afloweroutofstone: afloweroutofstone: the-real-numbers: identicaltomyself:...

It Now: We need it now in quarantine, more than ever
It Now: We need it now in quarantine, more than ever

We need it now in quarantine, more than ever

It Now: We need it now in quarantine, more than ever by calluna69 MORE MEMES
It Now: We need it now in quarantine, more than ever by calluna69
MORE MEMES

We need it now in quarantine, more than ever by calluna69 MORE MEMES

It Now: Can’t unsee it now
It Now: Can’t unsee it now

Can’t unsee it now

It Now: Oh no you don’t. Its too late to read it now buddy. *cracks knuckles* by KitchenOven36o MORE MEMES
It Now: Oh no you don’t. Its too late to read it now buddy. *cracks knuckles* by KitchenOven36o
MORE MEMES

Oh no you don’t. Its too late to read it now buddy. *cracks knuckles* by KitchenOven36o MORE MEMES

It Now: afloweroutofstone: iamicecreamsbitch: averyterrible: afloweroutofstone: afloweroutofstone: the-real-numbers: identicaltomyself: argumate: afloweroutofstone: Spent the last four hours or so starting on a new project: mapping the locations of famous horror movies set in America. It’s a work in progress, y’all’ see more when I’m done. this is like when the RAF tried to figure out where to armour their bombers by looking at the distribution of bullet holes; the empty area on the map is where nobody lived to tell the tale. It follows population density pretty closely except that the desert Southwest is over represented. Is that because it’s close to Hollywood? Cheap to shoot in? High density of chupacabras? That’s just where the spooky is. Everything else is just noise from large populations. Since @argumate​ brought this back, here’s what the map looks like today: I started adding any horror movie at all, not just well-known ones. Also, it’s global now! @cominyern​ Subgenre!  Red is killer/slasher/psychological Blue is monster/creature Yellow is ghost/spirit/demon Green is alien Black is zombies Purple is vampires It lets you look at some cool regional trends, like how ghosts are huge in New England while aliens and vampires have a cluster in the Southwest. that the original had a lot of black in Pittsburgh is unsurprising, given where a certain George Romero came from, but it now has an interesting relative density and variety. (i blame the Tom Savini practical effects school in Monessen, personally) I wish this was an interactive map I want to find and watch my “local” horror movies! Ask and you shall receive! Here’s a link to explore the map for your local horror movies!
It Now: afloweroutofstone:

iamicecreamsbitch:

averyterrible:


afloweroutofstone:

afloweroutofstone:

the-real-numbers:

identicaltomyself:


argumate:


afloweroutofstone:
Spent the last four hours or so starting on a new project: mapping the locations of famous horror movies set in America. It’s a work in progress, y’all’ see more when I’m done.
this is like when the RAF tried to figure out where to armour their bombers by looking at the distribution of bullet holes; the empty area on the map is where nobody lived to tell the tale.


It follows population density pretty closely except that the desert Southwest is over represented. Is that because it’s close to Hollywood? Cheap to shoot in? High density of chupacabras?


That’s just where the spooky is. Everything else is just noise from large populations.

Since @argumate​ brought this back, here’s what the map looks like today:
I started adding any horror movie at all, not just well-known ones. Also, it’s global now!

@cominyern​ Subgenre! 
Red is killer/slasher/psychological
Blue is monster/creature
Yellow is ghost/spirit/demon
Green is alien
Black is zombies
Purple is vampires
It lets you look at some cool regional trends, like how ghosts are huge in New England while aliens and vampires have a cluster in the Southwest.

that the original had a lot of black in Pittsburgh is unsurprising, given where a certain George Romero came from, but it now has an interesting relative density and variety.

(i blame the Tom Savini practical effects school in Monessen, personally)



I wish this was an interactive map I want to find and watch my “local” horror movies! 

Ask and you shall receive! Here’s a link to explore the map for your local horror movies!

afloweroutofstone: iamicecreamsbitch: averyterrible: afloweroutofstone: afloweroutofstone: the-real-numbers: identicaltomyself:...

It Now: so is it now or not?
It Now: so is it now or not?

so is it now or not?

It Now: so is it now or not? by Zeromatic MORE MEMES
It Now: so is it now or not? by Zeromatic
MORE MEMES

so is it now or not? by Zeromatic MORE MEMES

It Now: Say it now
It Now: Say it now

Say it now

It Now: earthsong9405: All done with Urbosa’s redesign and the additional sketches for her role in my headcanon! <: As usual I didn’t change too much but I gave her a slightly different hairstyle, some tusks (as is natural for Gerudo in my headcanon), and a brand new outfit! She has such lovely colors to work with, I love her so much ;-;But I’m sure ya don’t wanna hear me babble about how enjoyable her design is. So, let’s go straight into the headcanon! <:————————--Urbosa is the current chief of the Gerudo and serves as the acting Champion for them as well. As a Champion in this timeline, she holds a key component in gaining access to Old Hyrule-”Champion” in this timeline doesn’t fully hold the same function as it once did in BotW. Instead of being chosen to pilot the Divine Beasts, a Champion are a handful of chosen warriors that serve as Hyrule’s best line of defense against any threat. Despite every group of peoples having their own form of governing, culture, and way of life, all of them are still united under the banner of Hyrule, and the Champions could be the physical representation of this tight alliance. A Champion may not necessarily have a lot of political power by themselves but what they represent and what they stand for still puts them in a high position in social status and therefore their word often holds significant weight. As not only the chief of Gerudo but also their Champion, Urbosa is in a position of having more power than what would typically be seen for a Chief. Thankfully though, she doesn’t abuse it and leads her people well: there’s a reason she’s so well respected and loved among not only the Gerudo, but across Hyrule as well.-As one of the original Champions, Urbosa retains many of her memories from her past life, including what ultimately led to her death-I’ve always liked the idea of Urbosa being a motherly figure to just about anyone she meets, but that also includes being an actual mother! Her kid in this headcanon is Riju <:-While Urbosa isn’t actually related to Ganondorf, he refers to her as his “aunt”. Of all the Gerudo in his life, Urbosa was a consistent presence, often visiting him and his parents at their secluded home in the middle of Korok Forest. She’d bring stories of adventure and gifts and even helped train him to be a skilled warrior, but as much as she loves the boy her visits held an alternative motive.-As a whole, no one really knows of Ganondorf’s past as being the vessel for the Demon King, but if anyone would have any idea about it it’d certainly be the Sheikah and the Gerudo. As per tradition in their culture, a newborn Gerudo must be brought forth to a shaman for examination to ensure their health and to fully proclaim their citizenship as a new member of the tribe. When Ganondorf was examined, the first thing the shaman noticed was the peculiar mark upon his chest: a birthmark in the shape of the wound that struck Demise down all those thousands of years ago. In seeing the mark the shaman took the baby away from his mother and brought it to the council and Urbosa to discuss what to do with it.The Gerudo are intimately familiar with the history surrounding the Demon King and how he stole one of their own, so the mark was very telling of what the child once was. And given the long stretch of peace Hyrule was experiencing it understandably buzzed some fear among the elder council. Many were afraid his birth meant an end to that peace, that the Demon King had somehow reincarnated once more and meant to bring hell back to Hyrule.So in response to all of this, the elders argued amongst each other about a solution. Many ruled the boy too dangerous to allow him to grow older and demanded he be… dealt with. Others deemed that too cruel, even for a damned child, and suggested they simply leave him somewhere far away: let nature decide if he lives or dies. But, as chief and Gerudo Champion of Hyrule, it ultimately came down to Urbosa’s choice. She held the babe her council hissed demon, stared at the birthmark that marked him as a vessel, heard the pleading sobs of the boy’s mother over the whispers of “we’ll make it quick, but we mustn’t let him live”, “he is dangerous, he will bring doom to us all” “end it now while he is weak”.Stared at the supposed demon child, who simply yawned in her grasp and blinked up at her with innocent, yellow eyes. She met the Demon King once: she had stared into that monster’s eyes while she fought it to her death in her past lifetime. She knows soulless eyes when she sees them… and this baby didn’t have those eyes.So Urbosa made her decision: the boy will not die. It was largely met with disbelief and anger: you will doom us all! they said. Despite Urbosa staying firm in her decision, it took her days of arguing with the council and the aid of a Sheikah Seer (who examined the child themselves and confirmed that he didn’t house the Demon King) to finally reach a compromise: the boy will live, but he can’t live among the Gerudo. He had to live with his mother in exile, and his growth had to be monitored as a precaution. The monitoring came in the form of Urbosa’s frequent visits.-Urbosa is close friends with Zelda’s parents and is also something of an “aunt” figure to Zelda as well; Zelda absolutely adores Urbosa and even sees her as more of a secondary mother figure than anything.————————————Aaaaaaaaand that’s all I have for Urbosa for now! If I think of anything else I’ll be sure to add more, and of course if ya have questions you’re more than free to ask them. <: Otherwise I hope you enjoy! ^.^
It Now: earthsong9405:

All done with Urbosa’s redesign and the additional sketches for her role in my headcanon! <: As usual I didn’t change too much but I gave her a slightly different hairstyle, some tusks (as is natural for Gerudo in my headcanon), and a brand new outfit! She has such lovely colors to work with, I love her so much ;-;But I’m sure ya don’t wanna hear me babble about how enjoyable her design is. So, let’s go straight into the headcanon! <:————————--Urbosa is the current chief of the Gerudo and serves as the acting Champion for them as well. As a Champion in this timeline, she holds a key component in gaining access to Old Hyrule-”Champion” in this timeline doesn’t fully hold the same function as it once did in BotW. Instead of being chosen to pilot the Divine Beasts, a Champion are a handful of chosen warriors that serve as Hyrule’s best line of defense against any threat. Despite every group of peoples having their own form of governing, culture, and way of life, all of them are still united under the banner of Hyrule, and the Champions could be the physical representation of this tight alliance. A Champion may not necessarily have a lot of political power by themselves but what they represent and what they stand for still puts them in a high position in social status and therefore their word often holds significant weight. As not only the chief of Gerudo but also their Champion, Urbosa is in a position of having more power than what would typically be seen for a Chief. Thankfully though, she doesn’t abuse it and leads her people well: there’s a reason she’s so well respected and loved among not only the Gerudo, but across Hyrule as well.-As one of the original Champions, Urbosa retains many of her memories from her past life, including what ultimately led to her death-I’ve always liked the idea of Urbosa being a motherly figure to just about anyone she meets, but that also includes being an actual mother! Her kid in this headcanon is Riju <:-While Urbosa isn’t actually related to Ganondorf, he refers to her as his “aunt”. Of all the Gerudo in his life, Urbosa was a consistent presence, often visiting him and his parents at their secluded home in the middle of Korok Forest. She’d bring stories of adventure and gifts and even helped train him to be a skilled warrior, but as much as she loves the boy her visits held an alternative motive.-As a whole, no one really knows of Ganondorf’s past as being the vessel for the Demon King, but if anyone would have any idea about it it’d certainly be the Sheikah and the Gerudo. As per tradition in their culture, a newborn Gerudo must be brought forth to a shaman for examination to ensure their health and to fully proclaim their citizenship as a new member of the tribe. When Ganondorf was examined, the first thing the shaman noticed was the peculiar mark upon his chest: a birthmark in the shape of the wound that struck Demise down all those thousands of years ago. In seeing the mark the shaman took the baby away from his mother and brought it to the council and Urbosa to discuss what to do with it.The Gerudo are intimately familiar with the history surrounding the Demon King and how he stole one of their own, so the mark was very telling of what the child once was. And given the long stretch of peace Hyrule was experiencing it understandably buzzed some fear among the elder council. Many were afraid his birth meant an end to that peace, that the Demon King had somehow reincarnated once more and meant to bring hell back to Hyrule.So in response to all of this, the elders argued amongst each other about a solution. Many ruled the boy too dangerous to allow him to grow older and demanded he be… dealt with. Others deemed that too cruel, even for a damned child, and suggested they simply leave him somewhere far away: let nature decide if he lives or dies. But, as chief and Gerudo Champion of Hyrule, it ultimately came down to Urbosa’s choice. She held the babe her council hissed demon, stared at the birthmark that marked him as a vessel, heard the pleading sobs of the boy’s mother over the whispers of “we’ll make it quick, but we mustn’t let him live”, “he is dangerous, he will bring doom to us all” “end it now while he is weak”.Stared at the supposed demon child, who simply yawned in her grasp and blinked up at her with innocent, yellow eyes. She met the Demon King once: she had stared into that monster’s eyes while she fought it to her death in her past lifetime. She knows soulless eyes when she sees them… and this baby didn’t have those eyes.So Urbosa made her decision: the boy will not die. It was largely met with disbelief and anger: you will doom us all! they said. Despite Urbosa staying firm in her decision, it took her days of arguing with the council and the aid of a Sheikah Seer (who examined the child themselves and confirmed that he didn’t house the Demon King) to finally reach a compromise: the boy will live, but he can’t live among the Gerudo. He had to live with his mother in exile, and his growth had to be monitored as a precaution. The monitoring came in the form of Urbosa’s frequent visits.-Urbosa is close friends with Zelda’s parents and is also something of an “aunt” figure to Zelda as well; Zelda absolutely adores Urbosa and even sees her as more of a secondary mother figure than anything.————————————Aaaaaaaaand that’s all I have for Urbosa for now! If I think of anything else I’ll be sure to add more, and of course if ya have questions you’re more than free to ask them. <: Otherwise I hope you enjoy! ^.^

earthsong9405: All done with Urbosa’s redesign and the additional sketches for her role in my headcanon! <: As usual I didn’t change too...

It Now: postmarxed: emmersdrawberry: postmarxed: postmarxed: bitchface—mcgee: postmarxed: gaycholita: sickly-momo: postmarxed: gaycholita: postmarxed: postmarxed: postmarxed: postmarxed: postmarxed: postmarxed: moosers: wh………. Hey uh if you go to that blog And click that link The binary in the image from the blog post translates to the password you need here which gets you this And that url takes you here I don’t have any idea what the code on the t-shirt is supposed to be tho Okay it’s a decimal code that translates to tumblr godknowsnone? On that blog there’s like a captcha image and a long binary string. Stay tuned!! Okay that binary translates to ascii code Which then translates to this So when we log in to that email account There’s not much there except this vimeo link in the drafts folder The video is just 19 seconds of a very windy kind of woodsy area with a pond and a shortened url displayed over it so that link takes you to this youtube video and if you scroll down theres only one comment click on the user and they dont have any videos, but their about page has a link the link takes you to this freetexthost page, but im not sure what this text is code for “check it out then go way back” if you go way back to the original blog @nn17gkn “cbg juj uk fb? Ouppx obpx pbfxc 7xfpb uo jbq? bap” is the first post using this cypher that post translates to: You did it now Gimme some money venmo is docworm ok but they posted something new. if you use the same website from before, it converts to “Thanks for playing how about round two this is a gays only event hettys need not apply“(first of all fuckin amazing) but then the link leads you to this picture which honestly idk what to do with, someone continue this. thanks for adding this!!!!! i started looking into it so if you brighten that image super high theres a link on the left side that link takes you to a freetexthost page with this vimeo link: https://vimeo.com/277172453 the way the camera focuses in this video is morse code and me and @bitchface—mcgee translated it to: tmdlrrecurring17 we have no idea what this means and we’re stuck, if someone knows what this could be pls add on !!!!! It’s still going y'all!!!! I might be wrong but I think y'all might’ve mistranslated the Morse code. It might say tumblr recurring17 WE GOT FUCKING PLAYED AGAIN DKCNFSLXKFNRMDCKFNDMXKCNXNFJSLSSJ The Old God that runs the internet Cannot believe this journey is back on my dash
It Now: postmarxed:

emmersdrawberry:

postmarxed:

postmarxed:


bitchface—mcgee:


postmarxed:

gaycholita:


sickly-momo:

postmarxed:

gaycholita:

postmarxed:

postmarxed:


postmarxed:


postmarxed:


postmarxed:


postmarxed:


moosers:

wh……….

Hey uh if you go to that blog

And click that link

The binary in the image from the blog post translates to the password you need here which gets you this

And that url takes you here

I don’t have any idea what the code on the t-shirt is supposed to be tho


Okay it’s a decimal code that translates to tumblr godknowsnone? 


On that blog there’s like a captcha image and a long binary string. Stay tuned!! 


Okay that binary translates to ascii code

Which then translates to this



So when we log in to that email account

There’s not much there except this vimeo link in the drafts folder



The video is just 19 seconds of a very windy kind of woodsy area with a pond and a shortened url displayed over it


so that link takes you to this youtube video
and if you scroll down theres only one comment
click on the user and they dont have any videos, but their about page has a link
the link takes you to this freetexthost page, but im not sure what this text is code for

“check it out then go way back”
if you go way back to the original blog @nn17gkn
“cbg juj uk fb? Ouppx obpx pbfxc 7xfpb uo jbq? bap” is the first post
using this cypher that post translates to:
You did it now Gimme some money venmo is docworm

ok but they posted something new.
if you use the same website from before, it converts to
“Thanks for playing how about round two this is a gays only event hettys need not apply“(first of all fuckin amazing)
but then the link leads you to this picture
which honestly idk what to do with, someone continue this.

thanks for adding this!!!!! i started looking into it
so if you brighten that image super high theres a link on the left side
that link takes you to a freetexthost page with this vimeo link: https://vimeo.com/277172453
the way the camera focuses in this video is morse code and me and @bitchface—mcgee translated it to: tmdlrrecurring17
we have no idea what this means and we’re stuck, if someone knows what this could be pls add on !!!!!


It’s still going y'all!!!! 



I might be wrong but I think y'all might’ve mistranslated the Morse code. It might say tumblr recurring17 


WE GOT FUCKING PLAYED AGAIN DKCNFSLXKFNRMDCKFNDMXKCNXNFJSLSSJ


The Old God that runs the internet 


Cannot believe this journey is back on my dash

postmarxed: emmersdrawberry: postmarxed: postmarxed: bitchface—mcgee: postmarxed: gaycholita: sickly-momo: postmarxed: gaycho...

It Now: Ever said it? Now’s your chance to even do it. LMAO
It Now: Ever said it? Now’s your chance to even do it. LMAO

Ever said it? Now’s your chance to even do it. LMAO

It Now: zartbitter-salat: OC-tober Day 01: Eldest || Biker AU Gundel (worked on her design a lot and I am quite happy with it now :’D)
It Now: zartbitter-salat:

OC-tober Day 01: Eldest || Biker AU Gundel (worked on her design a lot and I am quite happy with it now :’D)

zartbitter-salat: OC-tober Day 01: Eldest || Biker AU Gundel (worked on her design a lot and I am quite happy with it now :’D)

It Now: Steve Silberman @stevesilbermarn Rosaries confiscated from immigrants at the Arizona/Mexico border. [via @MikeOLoughlin] newyorker.com/ culture/photo-, く @claríssalule Remember the piles of wedding rings taken from holocaust victims and how we see it now and wonder how we ever let the violation of human rights get so far well yeah cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but— The first one in the left corner: It’s a first communion rosary, and it’s not cheap. The black one in the first line: That’s a widow rosary and it’s old. The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s. In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings). The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. Those are mother’s rosaries. Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization. Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration. Just in case anyone reading naively believes this atrocity began on November 8 2016
It Now: Steve Silberman
 @stevesilbermarn
 Rosaries confiscated from immigrants
 at the Arizona/Mexico border. [via
 @MikeOLoughlin] newyorker.com/
 culture/photo-,

 く @claríssalule
 Remember the piles of wedding rings
 taken from holocaust victims and how
 we see it now and wonder how we
 ever let the violation of human rights
 get so far well yeah
cryptid-sighting:
arithanas:

gaylileofigaro:
This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. 
This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but—
The first one in the left corner: It’s a first communion rosary, and it’s not cheap.
The black one in the first line: That’s a widow rosary and it’s old.
The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s.
In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings).
The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. 
Those are mother’s rosaries.
Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization.

Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration.
Just in case anyone reading naively believes this atrocity began on November 8 2016

cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They...

It Now: Steve Silberman @stevesilbermarn Rosaries confiscated from immigrants at the Arizona/Mexico border. [via @MikeOLoughlin] newyorker.com/ culture/photo-, く @claríssalule Remember the piles of wedding rings taken from holocaust victims and how we see it now and wonder how we ever let the violation of human rights get so far well yeah cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but— The first one in the left corner: It’s a first communion rosary, and it’s not cheap. The black one in the first line: That’s a widow rosary and it’s old. The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s. In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings). The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. Those are mother’s rosaries. Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization. Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration. Just in case anyone reading naively believes this atrocity began on November 8 2016
It Now: Steve Silberman
 @stevesilbermarn
 Rosaries confiscated from immigrants
 at the Arizona/Mexico border. [via
 @MikeOLoughlin] newyorker.com/
 culture/photo-,

 く @claríssalule
 Remember the piles of wedding rings
 taken from holocaust victims and how
 we see it now and wonder how we
 ever let the violation of human rights
 get so far well yeah
cryptid-sighting:
arithanas:

gaylileofigaro:
This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. 
This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but—
The first one in the left corner: It’s a first communion rosary, and it’s not cheap.
The black one in the first line: That’s a widow rosary and it’s old.
The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s.
In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings).
The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. 
Those are mother’s rosaries.
Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization.

Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration.
Just in case anyone reading naively believes this atrocity began on November 8 2016

cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They...