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Anime, Period, and Samurai: Anra Follow @AnraNana Critically and commercially acclaimed director Shinichiro Watanabe on colorism in the Japanese anime industry and the importance of diversity and genuine care in creating art. Watanabe: The anime does deal with samurai, and tion to skin color," Watan in the back of my mind I was always woried it would multiple languages. Lots be seen as nationalistic. That is why I made one of the ave white skin- all the ch main characters someone from the Ryukyus, and put ever liked. I wanted to ha in the bit about a person training in China, and had le bit about it. The same foreign characters appear. If you watch the anime, it'sred in multiple languages, clear that it has nothing to do with it. It is not an an ed. ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. dif people weren't used to Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have 10:28 PM - 18 Jun 2019 15,092 Retweets 35,120 Likes Q: This may be a little off-topic, but what do you think of nationalism? Watanabe: The anime does deal with samurai, and in the back of my mind I was always worried it would be seen as nationalistic. That is why I made one of the main characters someone from the Ryukyus, and put in the bit about a person training in China, and had foreign characters appear. If you watch the anime, it's clear that it has nothing to do with it. It is not an an- ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have lots of people coming here from the continent and bringing agriculture with them. When the imperial sys- "I paid a lot of attention to skin color," Watanabe said in The Jazz Messengers. "Also to using multiple languages. Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked. I wanted to have lots of characters in Bebop without the white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it. The same was true for languages. I wanted to have lines muttered in multiple languages, but that would have been just too difficult," he laughed. gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT
Anime, Period, and Samurai: Anra
 Follow
 @AnraNana
 Critically and commercially acclaimed
 director Shinichiro Watanabe on
 colorism in the Japanese anime industry
 and the importance of diversity and
 genuine care in creating art.
 Watanabe: The anime does deal with samurai, and tion to skin color," Watan
 in the back of my mind I was always woried it would multiple languages. Lots
 be seen as nationalistic. That is why I made one of the ave white skin- all the ch
 main characters someone from the Ryukyus, and put ever liked. I wanted to ha
 in the bit about a person training in China, and had le bit about it. The same
 foreign characters appear. If you watch the anime, it'sred in multiple languages,
 clear that it has nothing to do with it. It is not an an ed.
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 dif people weren't used to
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 10:28 PM - 18 Jun 2019
 15,092 Retweets 35,120 Likes

 Q: This may be a little off-topic, but what do you
 think of nationalism?
 Watanabe: The anime does deal with samurai, and
 in the back of my mind I was always worried it would
 be seen as nationalistic. That is why I made one of the
 main characters someone from the Ryukyus, and put
 in the bit about a person training in China, and had
 foreign characters appear. If you watch the anime, it's
 clear that it has nothing to do with it. It is not an an-
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 lots of people coming here from the continent and
 bringing agriculture with them. When the imperial sys-

 "I paid a lot of attention to skin color," Watanabe said in The Jazz
 Messengers. "Also to using multiple languages. Lots of times when you watch
 anime, the characters all have white skin - all the characters in fantasy stories all
 have white skin, which I never liked. I wanted to have lots of characters in Bebop
 without the white skin, and if people weren't used to that, well, maybe it would
 even make them think a little bit about it. The same was true for languages. I
 wanted to have lines muttered in multiple languages, but that would have been
 just too difficult," he laughed.
gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

America, Energy, and God: THE GOOD THING ABOUT SCIENCE IS THAT IT'S TRUE WHETHER OR NOT YOU BELIEVE IN IT. Math is the language of the universe. So the more equations you know, the more you can converse with the cosmos Not only do we live among the stars,the stars live within us. We are all connected; To each other, biologically. To the earth, chemically. To the rest of the universe atomically. The Universe is under no obligation to make sense to you. SCIENCE MATTE RS WE ARE IN THE UNIVERSE AND THE UNIVERSE IS IN US Everyone should have their mind blown once a day NEIL deGrasse TYSON I am driven by two main philosophies: know more today about the world than I WE ARE NOT FIGURATIVELY.BUT LITERALLY knew yesterday and lessen the suffering of others. You'd be STARDUST Which came first the Chicken or the Egg? The Egg-laid by a bird that surprised how far that gets you. DO THE PHYSICS was not a LET'S MAKE AMERICA Chicken. Knowing how to think empowers you far beyond those who know only wht to think SMART AGAIN KEEP LOOKING UP GOD IS AN EVER-RECEDING POCKET OF SCIENTIFIC IGNORANCE. If aliens did visit us, I'd be embarrassed to tell them we still dig up fossil fuels from the ground as a source of energy. Space Aliens may be surprised to learn that Humans have multiple languages & cultures and we kill one another because of it. SCIENCE IS NOT A LIBERAL CONSPIRACY Not what to believe, or how to believe, but what to know, and how to know, because knowledge is power, power is everything in politics, so itʼs nonsense if society is more powerful than authority which usually controlled by politicians.—Kyairey—Aug 4—2019
America, Energy, and God: THE GOOD THING ABOUT SCIENCE IS THAT IT'S
 TRUE WHETHER OR NOT YOU BELIEVE IN IT.
 Math is the language of the universe. So the more equations you know, the more you can converse with the cosmos
 Not only do we live
 among the stars,the
 stars live within us.
 We are all connected; To each other,
 biologically. To the earth, chemically. To the
 rest of the universe atomically.
 The Universe is under no obligation to make sense to you.
 SCIENCE MATTE RS
 WE ARE IN THE UNIVERSE AND THE UNIVERSE IS IN US
 Everyone should have their
 mind blown once a day
 NEIL
 deGrasse
 TYSON
 I am driven by two
 main philosophies:
 know more today
 about the world than I
 WE ARE
 NOT FIGURATIVELY.BUT LITERALLY
 knew yesterday and
 lessen the suffering of
 others. You'd be
 STARDUST
 Which came first the
 Chicken or the Egg?
 The Egg-laid by a bird
 that
 surprised how far that
 gets you.
 DO THE PHYSICS
 was
 not a
 LET'S MAKE AMERICA
 Chicken.
 Knowing how to think empowers you far
 beyond those who know only wht to think SMART AGAIN
 KEEP LOOKING UP
 GOD IS AN EVER-RECEDING POCKET
 OF SCIENTIFIC IGNORANCE.
 If aliens did visit us, I'd be embarrassed to tell them we still
 dig up fossil fuels from the ground as a source of energy.
 Space Aliens may be surprised to learn that Humans have
 multiple languages & cultures and we kill one another because of it.
 SCIENCE IS NOT A LIBERAL CONSPIRACY
Not what to believe, or how to believe, but what to know, and how to know, because knowledge is power, power is everything in politics, so itʼs nonsense if society is more powerful than authority which usually controlled by politicians.—Kyairey—Aug 4—2019

Not what to believe, or how to believe, but what to know, and how to know, because knowledge is power, power is everything in politics, so i...