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God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...

Birthday, Church, and England: Monty Python too white for today's BBC uihew Moore MedireondentT guys who move to London n a nat Theyre even Church of England once The sketch show, which television to denounce a diverse enough, the BBCS nHele o ce sa oho sa resticulate. Of course, not same estimate, Peter share, thejokes feel quite familiar andit feels like you're not breaking any new ground or telling or a new story then like Monty Python that feature goes off at the hauled themselves on to starred Michaet Pain ls not bidge white blokes would not funny stimate. hetn looks very tawa, yu ponations head of comedy has to start aonder ronrlates have omedy stars from John Cleese and auit suceessful television carers James Marttéor e head of comedy said brand of comedy that modern eyes. What, you outraged prelates have by the BBCtoday, the Headded Its about how originalthe yoice you have, rather than what school of which are now more than 50 years old, have many years of laughter Enic ldie to Stephen Fry and Hugh Lau- unveiled by the BBC Henry birthday special hosted by Sir Trevor McDonald and a lowe'en episode of Inside No 9, the hit their sell-by date. Nowadays, Monty honing their craft at Cambridge Comment live Hal- Footlights, but thenational broadcaster Monty Python. If the surreal brand of humoursilliness, I wonder how 5o now looking for more diversity senes Pemberton and Reece Shearsmith from The Leugue of Gentlemen, BBC Three has also handed three pilots to ri gave a break to Tim omedy doesn't age was groundbreaking and many well. Ask any innovative back in the Sixties, it doesn't look that age of 30 like me can sit through nonsense about Bill Oddie, who went on to form The and Olivia Colman nd crave sketchh shows and sitcoms dies. Other former members in actor. Gags that must have way today, As times have knights who say "ni or a Hounslow Girtby Ambreen Raz- ia, the Welsh coming-of-age story In My Skin by Kayleigh Peter Cook, Emma Thompson had the groundlings splitting their sides back has lost the shock factor much more than a changed. Monty Python dead parrot and raise ers had heard enough about the in the Bards day leave on which a lot of its and success depended. It reflect that bishops of the James Marriott is metropolitan, educated experience modern audiences stoney faced, however hard the show Tash and EBie by Natasi Demetriou and Ellie Whit Last year the media res lator Ofcom told the BBC seems almost quaint to The Times vith a sense of place", claimed Shane actors g llen, controller of BBC comedy e who reflect modern world and have got something to say that's different and we haven't seen The show's stars, David Mitchell and Robert Webb, were both members of the Footlights comedy group at Cam His, comments came as the BBC range of its led a seri mes fronted by female and ethnic es of new comedy pro- ge been told When you look at the ones recent comedies) that have done well caster's shows as too tr tional and risk-averse Asked if the drive risked discrimina-It's about telling stories that havent ting against teenagers who happenedto win a place at Oxbridge, Mr Allen in- fr Allen cited recent BBC Three etch show Fiamalam, which has an all- ack cast orporation was giving a platform to sisted there was no class war ban on they've got a really specific sense of ewtalent. Hesaid it had been 50 years "posh people" appearing on television place," he said, picking out award-win- t as an example of how the April that a row overal 35 Python, which he de However, he indicated that shows ning mockumentary This Country, set s The Young Offenders in a deprived Cotswolds village, and ducer-led gang show like Channel 4's acclaimed Peep Show, pres resign. ing to assemble a team about the lives of two middle-class BBC "If a sitcom comes in about three ow it's not going to be six Oxbridge graduates who share a flat after uni about two miscreant Irish teenagers versity, were not a priority for the BBC going to be a diverse <p><a href="http://friendly-neighborhood-patriarch.tumblr.com/post/175181203677/nunyabizni-this-is-the-most-wrong-thing-i-have" class="tumblr_blog">friendly-neighborhood-patriarch</a>:</p> <blockquote><p><a href="https://nunyabizni.tumblr.com/post/175181186232/this-is-the-most-wrong-thing-i-have-ever-laid-eyes" class="tumblr_blog">nunyabizni</a>:</p><blockquote><p>This is the most wrong thing I have ever laid eyes on</p></blockquote> <p>*pours myself a full pint of bourbon*</p></blockquote>
Birthday, Church, and England: Monty Python too white for today's BBC
 uihew Moore MedireondentT
 guys who move to London n a nat
 Theyre
 even
 Church of England once The sketch show, which
 television to denounce a diverse enough, the BBCS
 nHele o ce sa oho sa
 resticulate. Of course, not
 same
 estimate, Peter
 share, thejokes feel quite familiar andit
 feels like you're not breaking any new
 ground or telling or a new story then
 like Monty Python that feature
 goes off at the hauled themselves on to starred Michaet Pain ls not
 bidge white blokes would not funny stimate. hetn looks very tawa, yu
 ponations head of comedy has to start aonder ronrlates have
 omedy stars from John Cleese and
 auit suceessful television carers James Marttéor e
 head of comedy said
 brand of comedy that
 modern eyes. What, you
 outraged prelates have
 by the BBCtoday, the
 Headded Its about how originalthe
 yoice you have, rather than what school
 of which are now more
 than 50 years old, have
 many years of laughter
 Enic ldie to Stephen Fry and Hugh Lau-
 unveiled by the BBC
 Henry birthday special hosted by Sir
 Trevor McDonald and a
 lowe'en episode of Inside No 9, the
 hit their sell-by date.
 Nowadays, Monty
 honing their craft at Cambridge
 Comment
 live Hal-
 Footlights, but thenational broadcaster
 Monty Python. If the
 surreal brand of humoursilliness, I wonder how
 5o
 now looking for more diversity
 senes
 Pemberton and Reece Shearsmith from
 The Leugue of Gentlemen, BBC Three
 has also handed three pilots to ri
 gave a break to Tim
 omedy doesn't age was groundbreaking and many
 well. Ask any
 innovative back in the
 Sixties, it doesn't look that
 age of 30 like me can sit
 through nonsense about
 Bill Oddie, who went on to form The
 and Olivia Colman
 nd crave sketchh shows and sitcoms
 dies. Other former members in actor. Gags that must have way today, As times have knights who say "ni or a
 Hounslow Girtby Ambreen Raz-
 ia, the Welsh coming-of-age
 story In My Skin by Kayleigh
 Peter Cook, Emma Thompson
 had the groundlings
 splitting their sides back has lost the shock factor much more than a
 changed. Monty Python
 dead parrot and raise
 ers had heard enough about the in the Bards day leave
 on which a lot of its
 and
 success depended. It
 reflect that bishops of the
 James Marriott is
 metropolitan, educated experience modern audiences stoney
 faced, however hard the
 show Tash and EBie by Natasi
 Demetriou and Ellie Whit
 Last year the media res
 lator Ofcom told the BBC
 seems almost quaint to
 The Times
 vith a sense of place", claimed Shane actors g
 llen, controller of BBC comedy
 e who reflect modern
 world and have got something to say
 that's different and we haven't seen
 The show's stars, David Mitchell and
 Robert Webb, were both members of
 the Footlights comedy group at Cam
 His, comments came as the BBC range of
 its
 led a seri
 mes fronted by female and ethnic
 es of new comedy pro-
 ge
 been told When you look at the ones
 recent comedies) that have done well
 caster's shows as too tr
 tional and risk-averse
 Asked if the drive risked discrimina-It's about telling stories that havent
 ting against teenagers who happenedto
 win a place at Oxbridge, Mr Allen in-
 fr Allen cited recent BBC Three
 etch show Fiamalam, which has an all-
 ack cast
 orporation was giving a platform to sisted there was no class war ban on they've got a really specific sense of
 ewtalent. Hesaid it had been 50 years "posh people" appearing on television place," he said, picking out award-win-
 t as an example of how the
 April that a row overal
 35
 Python, which he de However, he indicated that shows ning mockumentary This Country, set
 s The Young Offenders
 in a deprived Cotswolds village, and
 ducer-led gang show like Channel 4's acclaimed Peep Show,
 pres
 resign.
 ing to assemble a team about the lives of two middle-class BBC
 "If a sitcom comes in about three
 ow it's not going to be six Oxbridge graduates who share a flat after uni about two miscreant Irish teenagers
 versity, were not a priority for the BBC
 going to be a diverse
<p><a href="http://friendly-neighborhood-patriarch.tumblr.com/post/175181203677/nunyabizni-this-is-the-most-wrong-thing-i-have" class="tumblr_blog">friendly-neighborhood-patriarch</a>:</p>

<blockquote><p><a href="https://nunyabizni.tumblr.com/post/175181186232/this-is-the-most-wrong-thing-i-have-ever-laid-eyes" class="tumblr_blog">nunyabizni</a>:</p><blockquote><p>This is the most wrong thing I have ever laid eyes on</p></blockquote>
<p>*pours myself a full pint of bourbon*</p></blockquote>

friendly-neighborhood-patriarch: nunyabizni:This is the most wrong thing I have ever laid eyes on *pours myself a full pint of bourbon*