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Animation: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
Animation: kaylapocalypse:
 ok 
so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.
The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 
I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.
This scene in particular illustrates it especially well; particularly for being only like 1 minute long.
Highlights/Breakdown
The timing in the way Robin says savior and the way he says beast. 
the character solidifying disregard and disrespect of “Please! Monster!”
Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
Just the entire french accent that isn’t even a good french accent at all.
The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
“what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
Fiona interrupting robin with a kick.
the fuckin sound his head makes when it hits the rock. 
The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*
Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.

kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you s...

Animation: artifiziell: Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commission info ]
Animation: artifiziell:

Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commission info ]

artifiziell: Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commissio...

Animation: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Animation: meabeck:
theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

Animation: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Animation: meabeck:
theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

Animation: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Animation: meabeck:

theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

Animation: NO ONE WILL WATCH THIS No ONE WANTS7 /S UL JUL CARES FOA THIS its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.
Animation: NO ONE WILL WATCH THIS
 No ONE WANTS7
 /S
 UL JUL
 CARES FOA
 THIS
its-bewitched:

trilllizard666:

keyhollow:Story matters more than sex, please always remember that. 
what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao

The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.

its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I...

Animation: cowpants147: pixarsource: How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019) I thought that was a real fucking cat
Animation: cowpants147:

pixarsource:
How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019)
I thought that was a real fucking cat

cowpants147: pixarsource: How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019) I thought that was a real fucking...

Animation: broadwaytheanimatedseries: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage: tophatting: all1sees: fumblingfirebird: cantankerouscrab: #I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS #and then you have people only going about how ~hot~ he is because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes and frost on the edgES OF HIS CLOTHING but^ seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing. Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows AND TOOTH HAS FLAWLESSLY MANICURED NAILS THIS MOVIE IS GORGEOUS DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND this is the kind of post I’ve been waiting for. yes. to everything. What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time. I remember one of the guys showing me the sand tests .. he used to work for NASA. NASA FUCKING NASA EVERYBODY!!!  AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE  YES HE DID
Animation: broadwaytheanimatedseries:
dontbugmeimantisocial:

captain-childishfirewarrior:

peppermimint:

giantchicken:

drawology:

pipesandrage:

tophatting:

all1sees:

fumblingfirebird:

cantankerouscrab:

#I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS

  #and then you have people only going about how ~hot~ he is
because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes
and frost on the edgES OF HIS CLOTHING 
but^

seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing.

Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right

And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows

AND TOOTH HAS FLAWLESSLY MANICURED NAILS

THIS MOVIE IS GORGEOUS

DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND


this is the kind of post I’ve been waiting for.
yes.
to everything.

What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time.

I remember one of the guys showing me the sand tests .. he used to work for NASA.

NASA

FUCKING NASA EVERYBODY!!! 

AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE 


YES HE DID

broadwaytheanimatedseries: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage:...

Animation: furbtastic: So i decided to make some bad Pearl and Mystery girl for my final animation project
Animation: furbtastic:

So i decided to make some bad Pearl and Mystery girl for my final animation project

furbtastic: So i decided to make some bad Pearl and Mystery girl for my final animation project

Animation: celticpyro: hobojoe007: Idk who has the patience to do 60 fps stop-motion, but I applaud them motion Reblogging just for the smoothness of the animation that is DEDICATED
Animation: celticpyro:
hobojoe007:
Idk who has the patience to do 60 fps stop-motion, but I applaud them motion
Reblogging just for the smoothness of the animation that is DEDICATED

celticpyro: hobojoe007: Idk who has the patience to do 60 fps stop-motion, but I applaud them motion Reblogging just for the smoothness o...

Animation: Amazing animationvia @kekeflipnote (twitter) (@bo_mang_co)
Animation: Amazing animationvia @kekeflipnote (twitter) (@bo_mang_co)

Amazing animationvia @kekeflipnote (twitter) (@bo_mang_co)

Animation: y Carl brydeswhale: mcloveleigh: peathefeary: brunhiddensmusings: protectblkwomen: badgyal-k: meanmisscharles: lessdanthree: what drugs were they on when they made this Cab Calloway rotascoped! Whoever thought of this was drinking absinthe Thanks, Now I have nightmares this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickelsfleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic idk why this is making me so emotional??? I love this. I’ve always had a love for cartoons This was what they were trying to emulate with the highway man’s song in over the garden wall.
Animation: y Carl
brydeswhale:

mcloveleigh:


peathefeary:


brunhiddensmusings:

protectblkwomen:

badgyal-k:


meanmisscharles:


lessdanthree:
what drugs were they on when they made this

Cab Calloway rotascoped!


Whoever thought of this was drinking absinthe 


Thanks, Now I have nightmares 

this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die
most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickelsfleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic 


idk why this is making me so emotional???


I love this. I’ve always had a love for cartoons


This was what they were trying to emulate with the highway man’s song in over the garden wall.

brydeswhale: mcloveleigh: peathefeary: brunhiddensmusings: protectblkwomen: badgyal-k: meanmisscharles: lessdanthree: what dru...