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Philosophically

Philosophically

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initiate

initiate

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were

were

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their
their

their

comming
comming

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Anime, Period, and Samurai: Anra Follow @AnraNana Critically and commercially acclaimed director Shinichiro Watanabe on colorism in the Japanese anime industry and the importance of diversity and genuine care in creating art. Watanabe: The anime does deal with samurai, and tion to skin color," Watan in the back of my mind I was always woried it would multiple languages. Lots be seen as nationalistic. That is why I made one of the ave white skin- all the ch main characters someone from the Ryukyus, and put ever liked. I wanted to ha in the bit about a person training in China, and had le bit about it. The same foreign characters appear. If you watch the anime, it'sred in multiple languages, clear that it has nothing to do with it. It is not an an ed. ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. dif people weren't used to Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have 10:28 PM - 18 Jun 2019 15,092 Retweets 35,120 Likes Q: This may be a little off-topic, but what do you think of nationalism? Watanabe: The anime does deal with samurai, and in the back of my mind I was always worried it would be seen as nationalistic. That is why I made one of the main characters someone from the Ryukyus, and put in the bit about a person training in China, and had foreign characters appear. If you watch the anime, it's clear that it has nothing to do with it. It is not an an- ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have lots of people coming here from the continent and bringing agriculture with them. When the imperial sys- "I paid a lot of attention to skin color," Watanabe said in The Jazz Messengers. "Also to using multiple languages. Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked. I wanted to have lots of characters in Bebop without the white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it. The same was true for languages. I wanted to have lines muttered in multiple languages, but that would have been just too difficult," he laughed. gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT
Anime, Period, and Samurai: Anra
 Follow
 @AnraNana
 Critically and commercially acclaimed
 director Shinichiro Watanabe on
 colorism in the Japanese anime industry
 and the importance of diversity and
 genuine care in creating art.
 Watanabe: The anime does deal with samurai, and tion to skin color," Watan
 in the back of my mind I was always woried it would multiple languages. Lots
 be seen as nationalistic. That is why I made one of the ave white skin- all the ch
 main characters someone from the Ryukyus, and put ever liked. I wanted to ha
 in the bit about a person training in China, and had le bit about it. The same
 foreign characters appear. If you watch the anime, it'sred in multiple languages,
 clear that it has nothing to do with it. It is not an an ed.
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 dif people weren't used to
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 10:28 PM - 18 Jun 2019
 15,092 Retweets 35,120 Likes

 Q: This may be a little off-topic, but what do you
 think of nationalism?
 Watanabe: The anime does deal with samurai, and
 in the back of my mind I was always worried it would
 be seen as nationalistic. That is why I made one of the
 main characters someone from the Ryukyus, and put
 in the bit about a person training in China, and had
 foreign characters appear. If you watch the anime, it's
 clear that it has nothing to do with it. It is not an an-
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 lots of people coming here from the continent and
 bringing agriculture with them. When the imperial sys-

 "I paid a lot of attention to skin color," Watanabe said in The Jazz
 Messengers. "Also to using multiple languages. Lots of times when you watch
 anime, the characters all have white skin - all the characters in fantasy stories all
 have white skin, which I never liked. I wanted to have lots of characters in Bebop
 without the white skin, and if people weren't used to that, well, maybe it would
 even make them think a little bit about it. The same was true for languages. I
 wanted to have lines muttered in multiple languages, but that would have been
 just too difficult," he laughed.
gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

Ash, Bad, and Chill: Sat, Jun 22, 18:36 Hello traveller, I am your guide. Are you ready to begin your quest? Hello stranger, what do I need to do, to complete your request. You have to recover a long time lost manuscript held by a famous necromancer. Your journey begins in a forest. The left of you is a mountain with a large boulder blocking it's entrance, in front of you is an ancient graveyard. Some of the greatest heroes of the realm rest there I would like to investigate the grave- yard of it looks chill or haunted. Not strong enough to push that boulder As you enter the graveyard you notice old tombstones crumbling, scribed in language too ancient to be known by any living creature. While searching around you find a crypt, the front door has been knocked open, you can hear a soft gust of wind coming from inside. I copy the ancient text, best as possible. I use 'produce flame' when I enter the crypt. As you go in the light from your spell fills the room, you notice the coffins that adorn the walls and a spiral staircase that leads further down, at the bottom of it lies a large room, broken pillars, and a statue of Sild, the Warlock. A very powerful wizard from centuries past. Further away, with barely any light around it, you see a creature in a black robe facing away, as it ignores you on purpouse. There's a corpse on an alter in front of it, and it's hands deep inside it As I enter the room I go "excuuuuuse me, but it's not nice to sacrifice people" en hold my flame ready to attack if he would attack me... The creature in black turns annoyed by your interference, you see a beetle crawl out of it's eye socket, it's deformed face makes your stomach sick, as you think that eating all those fries before entering a graveyard was a bad idea. A purple light starts forming as he moves his hands together With a quick look around you notice a large floating orb 3 meters above the creature's head. You remember the old legend of Sild's orb, which he used teleport anywhere in the world. Nasty! God damn it those fries! I shoot my flame to the orb so the bug guy can't escape. And pull out my scimitar ready to attack As your flame hits, the orb shatters into what seems to be glass spikes, flying everywhere, further damaging the room. Some hit the creature, tearing his black robes just to reveal pieces of rotting flesh. The stench of death takes over the room, you can't hold those fries anymore, as you make an effort to not puke onto your brand new heels -and you hear your own voice in your head WHY WOULD YOU GO INTO A GRAVEYARD USING HEELS WOMAN ? As you get distracted, the creature fires his spell, you quickly block it with your scimitar, but it flies away from your hand. You are disarmed and the creature starts running in your direction "I DON'T I WANTED SOMETHING DIFFERENT THEN THE USUAL SNEAKERS as I replied to my own question. I take them of hold them as a weapon ready to defend myself against the ugly bug dude. And try to figure out if I can back to my scimitar. As you dual-wield your brand new puke-free heels you notice a two fast moving shadows moving behind the creature. Desperation starts to hit as you are outnumbered and your scimitar is nowhere to be seen, suddenly the shadows jump onto the creatures head and start attacking him. IT'S YOUR FAMILIARS, your thank yourself for installing that catdoor years ago. The creature loses balance just as it reaches you, slipping and faceplanting your puddle fries and cola that rested on the floor. You plunge it's head with both heels. It explodes and the creature slowly starts turning into ashes... You give a well deserved pet to them. The comforting purring sounds fills the room, you feel safe now. One of your familiars starts digging into the ash pile, as he found something of value there. IT'S A FORTUNE COOKIE! I go like "Oooh cookie!" I break it open and eat the cookie while I read. And also keep petting them, like a good rub under the chin. You slowly chew the cookie, the slight chocolate taste is well welcome at this moment, unravel the note, and it says , hit me up for fries & movies sometime. Sept Her profile said she was into RPGs
Ash, Bad, and Chill: Sat, Jun 22, 18:36
 Hello traveller, I am your guide. Are you
 ready to begin your quest?
 Hello stranger, what do I need to do,
 to complete your request.
 You have to recover a long time
 lost manuscript held by a famous
 necromancer. Your journey begins in a
 forest. The left of you is a mountain with
 a large boulder blocking it's entrance,
 in front of you is an ancient graveyard.
 Some of the greatest heroes of the
 realm rest there
 I would like to investigate the grave-
 yard of it looks chill or haunted. Not
 strong enough to push that boulder
 As you enter the graveyard you notice
 old tombstones crumbling, scribed in
 language too ancient to be known by
 any living creature. While searching
 around you find a crypt, the front door
 has been knocked open, you can hear
 a soft gust of wind coming from inside.
 I copy the ancient text, best as
 possible. I use 'produce flame' when I
 enter the crypt.
 As you go in the light from your spell
 fills the room, you notice the coffins that
 adorn the walls and a spiral staircase
 that leads further down, at the bottom
 of it lies a large room, broken pillars,
 and a statue of Sild, the Warlock. A very
 powerful wizard from centuries past.
 Further away, with barely any light
 around it, you see a creature in a black
 robe facing away, as it ignores you on
 purpouse. There's a corpse on an alter
 in front of it, and it's hands deep inside
 it
 As I enter the room I go "excuuuuuse
 me, but it's not nice to sacrifice
 people" en hold my flame ready to
 attack if he would attack me...
 The creature in black turns annoyed
 by your interference, you see a
 beetle crawl out of it's eye socket, it's
 deformed face makes your stomach
 sick, as you think that eating all those
 fries before entering a graveyard was
 a bad idea. A purple light starts forming
 as he moves his hands together
 With a quick look around you notice a
 large floating orb 3 meters above the
 creature's head. You remember the
 old legend of Sild's orb, which he used
 teleport anywhere in the world.
 Nasty! God damn it those fries! I shoot
 my flame to the orb so the bug guy
 can't escape. And pull out my scimitar
 ready to attack
 As your flame hits, the orb shatters into
 what seems to be glass spikes, flying
 everywhere, further damaging the
 room. Some hit the creature, tearing
 his black robes just to reveal pieces of
 rotting flesh. The stench of death takes
 over the room, you can't hold those
 fries anymore, as you make an effort
 to not puke onto your brand new heels
 -and you hear your own voice in your
 head WHY WOULD YOU GO INTO A
 GRAVEYARD USING HEELS WOMAN ?
 As you get distracted, the creature
 fires his spell, you quickly block it with
 your scimitar, but it flies away from
 your hand. You are disarmed and the
 creature starts running in your direction
 "I DON'T I WANTED SOMETHING
 DIFFERENT THEN THE USUAL
 SNEAKERS as I replied to my own
 question. I take them of hold them
 as a weapon ready to defend myself
 against the ugly bug dude. And try to
 figure out if I can back to my scimitar.
 As you dual-wield your brand new
 puke-free heels you notice a two fast
 moving shadows moving behind the
 creature. Desperation starts to hit as
 you are outnumbered and your scimitar
 is nowhere to be seen, suddenly the
 shadows jump onto the creatures head
 and start attacking him. IT'S YOUR
 FAMILIARS, your thank yourself for
 installing that catdoor years ago.
 The creature loses balance just as it
 reaches you, slipping and faceplanting
 your puddle fries and cola that rested
 on the floor.
 You plunge it's head with both heels. It
 explodes and the creature slowly starts
 turning into ashes... You give a well
 deserved pet to them. The comforting
 purring sounds fills the room, you feel
 safe now. One of your familiars starts
 digging into the ash pile, as he found
 something of value there.
 IT'S A FORTUNE COOKIE!
 I go like "Oooh cookie!" I break it open
 and eat the cookie while I read. And
 also keep petting them, like a good
 rub under the chin.
 You slowly chew the cookie, the slight
 chocolate taste is well welcome at this
 moment, unravel the note, and it says
 , hit me up for fries &
 movies sometime.
 Sept
Her profile said she was into RPGs

Her profile said she was into RPGs