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Loved

Los
Los

Los

How Many
How Many

How Many

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Por

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Had
Had

Had

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Our

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Was
Was

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In My

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New York, News, and Sensational: THE SEVEN SEAS REVERBERATE WITH THE SENSATIONAL NEWS F THE SEA SLEUTH'S FANTASTIC TRANSFORMATIONS BUT UNKNOWN TO THE MARITIME MARVEL A GRIM TRAP OF DOOM LURKS BEHIND.. POWERS! GREAT GUPPIES A AMAN INFLATED HIMSELF INTO A GIANT BALLOON, S HE COULD FLOAT THE DAMAGED SHIP d& TO SHORE This periodical may not be sold except by authorized dealers and is sold subject to the conditions that it shall not be sold or distributed with any part of its cover or markings removed, nor in a mutilated condition, nor affixed to, nor as part of any advertising, literary or pictorial matter whatsoever." AQUAMAN. No. 14, March-April, 1964. Published bi-monthly advertising rates address Richard A. Feldon & Co., 205 East 42nd by NATIONAL PERIODICAL PUBLICATIONS, INC., 2nd and Dickey St., New York 17,NY. Copyright 1964 by National Periodical Pub. Streets, SPARTA, ILL. Editorial, Executive offices and Subscriptions, lications, Inc. Al rights reserved under International and Pan- 575 LEXINGTON AVE., NEW YORK 22, N.Y. George Kashdan, Edi- American Copyright Conventions. Except for those who have ou for, SECOND CLASS POSTAGE PAID AT NEW YORK, N.Y. AND AT thorized use of their names, the stories, characters and incidents ADDITIONAL MAILING OFFICES under the oct of March 3, 1879 mentioned in this periodicaf are entirely imaginary and fictitious Yearly subscription in the U.S., 70c including postage. Foreign, ond no identification with actual persons, living or dead, is in $1.40 in American funds. Canada, 85c in American funds. For tended or should be inferred Printed in U.5.A <p><a href="http://funnypages.tumblr.com/post/166032821633/jason-mamoas-opening-scene-in-justice-league" class="tumblr_blog">funnypages</a>:</p><blockquote> <blockquote><p>Jason Mamoa’s opening scene in <i>Justice League</i>.</p></blockquote> <p>Aquaman #14<br/></p> </blockquote> <p>Aqua man releases the power of thicc</p>
New York, News, and Sensational: THE SEVEN SEAS REVERBERATE WITH THE
 SENSATIONAL NEWS F THE SEA SLEUTH'S
 FANTASTIC TRANSFORMATIONS BUT
 UNKNOWN TO THE MARITIME MARVEL
 A GRIM TRAP OF DOOM LURKS BEHIND..
 POWERS!
 GREAT GUPPIES
 A AMAN INFLATED
 HIMSELF INTO A
 GIANT BALLOON,
 S HE COULD FLOAT
 THE DAMAGED SHIP
 d&
 TO SHORE
 This periodical may not be sold except by authorized dealers and is sold subject to the conditions
 that it shall not be sold or distributed with any part of its cover or markings removed, nor in a mutilated
 condition, nor affixed to, nor as part of any advertising, literary or pictorial matter whatsoever."
 AQUAMAN. No. 14, March-April, 1964. Published bi-monthly advertising rates address Richard A. Feldon & Co., 205 East 42nd
 by NATIONAL PERIODICAL PUBLICATIONS, INC., 2nd and Dickey St., New York 17,NY. Copyright 1964 by National Periodical Pub.
 Streets, SPARTA, ILL. Editorial, Executive offices and Subscriptions, lications, Inc. Al rights reserved under International and Pan-
 575 LEXINGTON AVE., NEW YORK 22, N.Y. George Kashdan, Edi- American Copyright Conventions. Except for those who have ou
 for, SECOND CLASS POSTAGE PAID AT NEW YORK, N.Y. AND AT thorized use of their names, the stories, characters and incidents
 ADDITIONAL MAILING OFFICES under the oct of March 3, 1879 mentioned in this periodicaf are entirely imaginary and fictitious
 Yearly subscription in the U.S., 70c including postage. Foreign, ond no identification with actual persons, living or dead, is in
 $1.40 in American funds. Canada, 85c in American funds. For tended or should be inferred
 Printed in U.5.A
<p><a href="http://funnypages.tumblr.com/post/166032821633/jason-mamoas-opening-scene-in-justice-league" class="tumblr_blog">funnypages</a>:</p><blockquote>
<blockquote><p>Jason Mamoa’s opening scene in <i>Justice League</i>.</p></blockquote>
<p>Aquaman #14<br/></p>
</blockquote>

<p>Aqua man releases the power of thicc</p>

funnypages: Jason Mamoa’s opening scene in Justice League. Aquaman #14 Aqua man releases the power of thicc

Tumblr, Suave, and Media: D 14 DECO DEAS 75 colores con los que pintar tu casa Hay vide mas s afla del blonco, Si quieros anadir caractor a tu hogar apuesta por tonos mas originatos como el azul marino, el burdeos o el rosa AZULMARINO ounde avedar BURDEOS pio pra valieotes enta shla de estae RIS AZULAte to coor puede aus un coloc saves rotaMonte iaticado, idealpara fodo BLANCO Cuando no nos decidimos de quò color pintar, el blanco siempre es una buena opción GRIS C Sin leg casl el gn colores a AMARILLO Pocas casas de color amarillo se ven con asiduidad, y es que este color tan llamativo produce clerto rechazo, Con esta cocina podemos demostrar que bien combinado, queda ideal. NCO ROTO ROSA ANARANJADO eres huir de los blan eares y optar por al os resplandeciente, el oto es ideal LILA Los tonos tierra son una Hay quienes lo aman y quienes lo odian, el ila es un color muy original y perfecto buena opción, este rosa ana ranjado nos recuerda al colör rojizo de la arcilla. En el baño como vemos en la imagen queda muy bien algo diferente asi llen cór qu GRIS CLARO PURPURA Este color, entre el gris claro y el topo, nos parece de lo más adecuado para el dor mitorio. Es suave pero muy sofisticado. Es un color que llena de misterio cualquier espacio, queda ideal con una decora ción estilo boho. <figure class="tmblr-full" data-orig-height="2688" data-orig-width="2688"><img src="https://78.media.tumblr.com/1e7c55d19ff43df2bfb89fde261dd0cc/tumblr_inline_ovtcchw2Yg1qhy6fn_540.png" data-orig-height="2688" data-orig-width="2688"/></figure>
Tumblr, Suave, and Media: D 14
 DECO
 DEAS
 75 colores con
 los que pintar
 tu casa
 Hay vide mas
 s afla del blonco, Si quieros anadir caractor
 a tu hogar apuesta por tonos mas originatos como el
 azul marino, el burdeos o el rosa
 AZULMARINO
 ounde avedar
 BURDEOS
 pio pra valieotes
 enta shla de estae
 RIS AZULAte
 to coor puede aus
 un coloc saves rotaMonte
 iaticado, idealpara fodo
 BLANCO
 Cuando no nos decidimos
 de quò color pintar, el blanco
 siempre es una buena opción
 GRIS C
 Sin leg
 casl el gn
 colores a
 AMARILLO
 Pocas casas de color amarillo se ven con asiduidad, y es que
 este color tan llamativo produce clerto rechazo, Con esta cocina
 podemos demostrar que bien combinado, queda ideal.
 NCO
 ROTO
 ROSA
 ANARANJADO
 eres huir de los blan
 eares y optar por al
 os resplandeciente, el
 oto es ideal
 LILA
 Los tonos tierra son una
 Hay quienes lo aman y
 quienes lo odian, el ila es un
 color muy original y perfecto
 buena opción, este rosa ana
 ranjado nos recuerda al colör
 rojizo de la arcilla. En el baño
 como vemos en la imagen
 queda muy bien
 algo diferente
 asi
 llen
 cór
 qu
 GRIS CLARO
 PURPURA
 Este color, entre el gris
 claro y el topo, nos parece de
 lo más adecuado para el dor
 mitorio. Es suave pero muy
 sofisticado.
 Es un color que llena de
 misterio cualquier espacio,
 queda ideal con una decora
 ción estilo boho.
<figure class="tmblr-full" data-orig-height="2688" data-orig-width="2688"><img src="https://78.media.tumblr.com/1e7c55d19ff43df2bfb89fde261dd0cc/tumblr_inline_ovtcchw2Yg1qhy6fn_540.png" data-orig-height="2688" data-orig-width="2688"/></figure>

<figure class="tmblr-full" data-orig-height="2688" data-orig-width="2688"><img src="https://78.media.tumblr.com/1e7c55d19ff43df2bfb89fde2...

Children, Elf, and Gif: gaaladrieel: th3-gr3y-hav3ns: I’d like to bring a bit of attention to Gimli’s last shot (see: Figure 1) in The Lord of the Rings: The Return of the King (2003). It’s lovely, it’s joyous, it’s brief, but it’s also terribly clever.  “Why” you’re probably wondering, “is a shot of Gimli in awe of falling petals… clever?”  It seems strange, I know, but with the help of The Silmarillion (1977), and a bit of patience for long text posts, all will become clear!  To those who have not read The Silmarillion, which is entirely understandable because of it’s admittedly Biblical writing style and swift pace, I’m going to provide a summary of relevant points. You can read the bolded lettering and understand the basics of what I’m conveying, but try to read the unbolded bits as well if only to further your understanding.   Eru Ilúvatar (God) is the all-powerful being who creates Eä, or existence. This means that he is the only one who can create other beings without answering to a higher power because he is the highest power.  He creates: the Ainur, the Maiar, Elves, and Men, respective to time of creation and power.  The Valar, the fourteen Ainur who shape Eru’s Eä into Arda, the world of which Middle-earth is only a continent (see: Figure 2), can create other beings only with Eru’s consent.  Eru keeps secret from the Ainur and Maiar the dates he has set for Elves and Men to “wake”, or come to be, in Arda.  Note: Eru doesn’t create the Dwarves. “Then who does?” you’re likely wondering.  Aulë - the Valar known as the Smith for his dominion over the “substances of which Arda [i]s composed” as well as his ability to forge those substances - is intrinsically creative. This is an excellent trait for making the Two Lamps or Melkor’s Chain, Angainor. However, Aulë grows impatient of waiting for the awakening of Elves and Men because he simply wants “learners to whom he [can] teach his lore and his crafts” (Tolkien 49).  Thus, Aulë is driven to create dwarves, an unauthorized creation of sentient beings, upsetting Ilúvatar.  In order to appease Ilúvatar, Aulë nearly destroys his beloved creations via hammer-blow. (see: Figure 3 below) Luckily, Ilúvatar has mercy on both the Dwarves and Aulë. Seeing that the Dwarves are independent of Aulë because they cower in fear of destruction via hammer-blow, Ilúvatar deems their destruction unethical. Of course, everyone is not so forgiving.  “[F]earing that the other Valar might blame his work”, Aulë makes the Seven Fathers of the Dwarves “in secret” (Tolkien 49).  Secrecy - which indicates a lack of trust - is how he upsets his wife Yavanna Kementári, who holds dominion over all living things, including all flora and fauna. The latter of which involves trees. Let’s play: “How mad is she?”!  Yavanna is not as mad as she could be, but upset enough to inform Aulë that “because [he] hid[] this thought from [her] until its achievement, [his] children [the Dwarves] will have little love for the things of [her] love” (Tolkien 51).  She also says, “[Let] thy children beware! For there shall walk a power in the forests [Ents and the trees they protect] whose wrath [the Dwarves] will arouse at their peril” (Tolkien 53).  Let’s play: “What could be the worst possible response?”! What Aulë says, of course:  “Nonetheless they [the Dwarves] will have need of wood” (Tolkien 53).This powerful familial and marital conflict is why Dwarves and organic beings - such as trees and Ents - are not fond of one another in any way.  Trees do not appreciate being felled by Dwarvish axes.  Consequently, Dwarves do not appreciate being physically destroyed by the same timber they need to fuel their forges.  Recall: the very pillars of Moria are hewn into the shapes of trees because Dwarves, unlike Elves and Men, cannot walk through a forest safely. Therefore, imitation is the closest Aulë’s folk will come to experiencing a walk through the woods.  Indeed, we can use Gimli himself as an example of the result of this hatred, for in The Two Towers (1954), he claims that it is madness which drives Merry and Pippin beneath the boughs of Fangorn Forest, home to - you guessed it - trees and Ents! He has been taught by Gloin that one must be psychologically disturbed if they desire to willingly interact with trees outside of exploitation.  This is a hatred deeper even than that which divides Elves and Dwarves because it is caused by mutual fear.   Now. Hopefully, I haven’t lost you, because we’re returning to the original point I was attempting to enforce: the above shot of Gimli the Dwarf (see: Figure 1) is terribly clever.  If you are a fan of Tolkien’s works - as I suspect you are if you have reached this line of my incredibly lengthy text post - you are aware that Gimli undergoes a plethora of character development.  The distrustful, bigoted, and materialistic Dwarf we first encounter… …becomes the Dwarf who would willingly die fighting beside an Elf in battle.  Indeed, Legolas of the Woodland Realm becomes Gimli’s dearest friend. The two explore one another’s worlds after the War of the Ring concludes.  Legolas visits the Glittering Caves at Helm’s Deep at Gimli’s request, and Gimli visits Fangorn Forest at Legolas’s request.  Even more so, when Legolas sets sail for Aman, Gimli is permitted to come with him.  This is possibly the largest light-hearted middle-finger that has ever been given to Aulë, Yavanna, or any of the Valar. Permission for any race besides Elves to visit Valinor has never been granted before to a Dwarf.  “But Leah…when do we really start to see this change?” Evidence of this change is conveyed in The Return of the King via Gimli’s last shot, or Figure 1.  Peter Jackson may have cut out the scenes showing Legolas and Gimli defying social norms by experiencing one another’s worlds, but he implied that it happened in a single shot:  Gimli son of Gloin, a Dwarf, is shown appreciating the petals falling from a tree. And just like that, it is implied that an Ages-old conflict between Dwarves and the natural world…may be coming to a close.  Thank you for such a brilliant and lovely post  ❤
Children, Elf, and Gif: gaaladrieel:

th3-gr3y-hav3ns:

I’d like to bring a bit of attention to Gimli’s last shot (see: Figure 1) in The Lord of the Rings: The Return of the King (2003). It’s lovely, it’s joyous, it’s brief, but it’s also terribly clever. 
“Why” you’re probably wondering, “is a shot of Gimli in awe of falling petals… clever?” 
It seems strange, I know, but with the help of The Silmarillion (1977), and a bit of patience for long text posts, all will become clear! 
To those who have not read The Silmarillion, which is entirely understandable because of it’s admittedly Biblical writing style and swift pace, I’m going to provide a summary of relevant points. You can read the bolded lettering and understand the basics of what I’m conveying, but try to read the unbolded bits as well if only to further your understanding.  

Eru Ilúvatar (God) is the all-powerful being who creates Eä, or existence. This means that he is the only one who can create other beings without answering to a higher power because he is the highest power. 

He creates: the Ainur, the Maiar, Elves, and Men, respective to time of creation and power. 

The Valar, the fourteen Ainur who shape Eru’s Eä into Arda, the world of which Middle-earth is only a continent (see: Figure 2), can create other beings only with Eru’s consent. 

Eru keeps secret from the Ainur and Maiar the dates he has set for Elves and Men to “wake”, or come to be, in Arda. 

Note: Eru doesn’t create the Dwarves.
“Then who does?” you’re likely wondering. 

Aulë - the Valar known as the Smith for his dominion over the “substances of which Arda [i]s composed” as well as his ability to forge those substances - is intrinsically creative. This is an excellent trait for making the Two Lamps or Melkor’s Chain, Angainor. However, Aulë grows impatient of waiting for the awakening of Elves and Men because he simply wants “learners to whom he [can] teach his lore and his crafts” (Tolkien 49). 
Thus, Aulë is driven to create dwarves, an unauthorized creation of sentient beings, upsetting Ilúvatar.


 In order to appease Ilúvatar, Aulë nearly destroys his beloved creations via hammer-blow. (see: Figure 3 below)
Luckily, Ilúvatar has mercy on both the Dwarves and Aulë. Seeing that the Dwarves are independent of Aulë because they cower in fear of destruction via hammer-blow, Ilúvatar deems their destruction unethical.
Of course, everyone is not so forgiving. 
“[F]earing that the other Valar might blame his work”, Aulë makes the Seven Fathers of the Dwarves “in secret” (Tolkien 49).  Secrecy - which indicates a lack of trust - is how he upsets his wife Yavanna Kementári, who holds dominion over all living things, including all flora and fauna. The latter of which involves trees. Let’s play: “How mad is she?”! 
Yavanna is not as mad as she could be, but upset enough to inform Aulë that “because [he] hid[] this thought from [her] until its achievement, [his] children [the Dwarves] will have little love for the things of [her] love” (Tolkien 51). 
She also says, “[Let] thy children beware! For there shall walk a power in the forests [Ents and the trees they protect] whose wrath [the Dwarves] will arouse at their peril” (Tolkien 53). 
Let’s play: “What could be the worst possible response?”! What Aulë says, of course: 

“Nonetheless they [the Dwarves] will have need of wood” (Tolkien 53).This powerful familial and marital conflict is why Dwarves and organic beings - such as trees and Ents - are not fond of one another in any way. 
Trees do not appreciate being felled by Dwarvish axes. 
Consequently, Dwarves do not appreciate being physically destroyed by the same timber they need to fuel their forges. 
Recall: the very pillars of Moria are hewn into the shapes of trees because Dwarves, unlike Elves and Men, cannot walk through a forest safely. Therefore, imitation is the closest Aulë’s folk will come to experiencing a walk through the woods. 
Indeed, we can use Gimli himself as an example of the result of this hatred, for in The Two Towers (1954), he claims that it is madness which drives Merry and Pippin beneath the boughs of Fangorn Forest, home to - you guessed it - trees and Ents! He has been taught by Gloin that one must be psychologically disturbed if they desire to willingly interact with trees outside of exploitation. 
This is a hatred deeper even than that which divides Elves and Dwarves because it is caused by mutual fear.  

Now. Hopefully, I haven’t lost you, because we’re returning to the original point I was attempting to enforce: the above shot of Gimli the Dwarf (see: Figure 1) is terribly clever. 
If you are a fan of Tolkien’s works - as I suspect you are if you have reached this line of my incredibly lengthy text post - you are aware that Gimli undergoes a plethora of character development. 
The distrustful, bigoted, and materialistic Dwarf we first encounter…
…becomes the Dwarf who would willingly die fighting beside an Elf in battle. 
Indeed, Legolas of the Woodland Realm becomes Gimli’s dearest friend. The two explore one another’s worlds after the War of the Ring concludes. 

Legolas visits the Glittering Caves at Helm’s Deep at Gimli’s request, and Gimli visits Fangorn Forest at Legolas’s request. 

Even more so, when Legolas sets sail for Aman, Gimli is permitted to come with him. 
This is possibly the largest light-hearted middle-finger that has ever been given to Aulë, Yavanna, or any of the Valar. Permission for any race besides Elves to visit Valinor has never been granted before to a Dwarf. 
“But Leah…when do we really start to see this change?”
Evidence of this change is conveyed in The Return of the King via Gimli’s last shot, or Figure 1. 
Peter Jackson may have cut out the scenes showing Legolas and Gimli defying social norms by experiencing one another’s worlds, but he implied that it happened in a single shot: 
Gimli son of Gloin, a Dwarf, is shown appreciating the petals falling from a tree. And just like that, it is implied that an Ages-old conflict between Dwarves and the natural world…may be coming to a close. 

Thank you for such a brilliant and lovely post 

❤

gaaladrieel: th3-gr3y-hav3ns: I’d like to bring a bit of attention to Gimli’s last shot (see: Figure 1) in The Lord of the Rings: The Retu...

Que, Para, and Arte: <h2>Para los que aman el arte pero odian los graffitis</h2>
nsfw
Que, Para, and Arte: <h2>Para los que aman el arte pero odian los graffitis</h2>

Para los que aman el arte pero odian los graffitis

Bad, Beer, and Dad: sppot aing In tect y BCDEF- H-K-phasphs -R-9-T-U- M--Y-and- un wty didusaphaspharcus because ts the LN ENTALP Aman aal hesefne iae beiweeea suseae anda desor Only a faction of yeu will undatand this Same peaple appreciata these jokes aore dan't wnd the cvisan is clex QUEUE IS JUSTQ FOLLOWED B 4 SILENT LETTERSA THEY ARENT SILENT THEYRE WAITING THEIR TURN bores past gery ic anoeymoua Tm aecing a et of nev faCEs in teand tha wek and thae to say m h tgented 7 Mario, what do you get when you cross an insomniac, an urwiling agnostic and a dyslexic? wish there was a Formula to make Friends. The squadratic formula DIDYOU HEAR ARDUTTHE MAN WHO GOT COOLED TO ARSOLUTE ENOP () CH'L CH HESOK Heisenberg and Schrddrger are taveling in a car and are puiled over by a cop The oticer asks Do you know how fast you were going Heisenberg repls "No, but I know where I am This arouses the officers upicion so he asks to check their unk He looks inside and asks "Are you aware thare us a dead cat in your unk?, to which Schrbdinger reples 1 do now 11 you are 412 13 eo NTTON Wesh W HOM O Or Dd ou g YODA Yp 14 Romec check out this cat video T t: omg dad Jut h Just: romo eti dct men ly ded Julet romeo 15 I put my root beer in a square cup. Now it's just beer. SCERODINCER HOWS NY CAT DOCP dinger's AuApe VET I HAVE GOOD NEWS & BAD NEWS 17 The sunber pla ia the chemical equason far Gaccas and the car is a whits Cabe THAT'S A NICE CAR, BUT.. WHERE DID MY VAN GOGH? 19 What do you get when you cross a joke and a rhetorical question? 2 MAFUNGI WHY DOESNT ANYONE LIKE MEP 21 paidays 1 my one hat was gadium unny neon thet Na No 22 AREYOUMADEOUTOF COPPER AND TELLURIUMP You Are Pretty Smart If You Get These 23 Jokes
Bad, Beer, and Dad: sppot aing
 In tect y
 BCDEF-
 H-K-phasphs
 -R-9-T-U-
 M--Y-and-
 un wty didusaphaspharcus
 because ts the LN ENTALP
 Aman aal
 hesefne iae beiweeea suseae anda
 desor
 Only a faction of yeu will undatand this
 Same peaple appreciata these jokes aore dan't
 wnd the cvisan is clex
 QUEUE IS JUSTQ FOLLOWED B
 4 SILENT LETTERSA
 THEY ARENT SILENT THEYRE WAITING
 THEIR TURN
 bores past gery ic
 anoeymoua Tm aecing a et of nev faCEs in
 teand tha wek and thae to say m
 h tgented
 7
 Mario, what do you get when you
 cross an insomniac, an urwiling
 agnostic and a dyslexic?
 wish there was a
 Formula to make
 Friends. The
 squadratic formula
 DIDYOU HEAR ARDUTTHE MAN WHO
 GOT COOLED TO ARSOLUTE ENOP
 ()
 CH'L
 CH
 HESOK
 Heisenberg and Schrddrger are
 taveling in a car and are puiled over
 by a cop The oticer asks Do you
 know how fast you were going
 Heisenberg repls "No, but I know
 where I am This arouses the officers
 upicion so he asks to check their
 unk He looks inside and asks "Are
 you aware thare us a dead cat in your
 unk?, to which Schrbdinger reples
 1 do now
 11
 you are
 412
 13
 eo NTTON Wesh W
 HOM O Or Dd ou g
 YODA Yp
 14
 Romec check out this cat video T
 t: omg dad
 Jut h
 Just: romo
 eti dct men ly ded
 Julet romeo
 15
 I put my root
 beer in a square
 cup. Now it's
 just beer.
 SCERODINCER HOWS NY CAT DOCP
 dinger's
 AuApe
 VET I HAVE GOOD NEWS &
 BAD NEWS
 17
 The sunber pla ia the chemical equason far
 Gaccas and the car is a whits Cabe
 THAT'S A NICE CAR, BUT..
 WHERE DID MY VAN GOGH?
 19
 What do you get when you cross
 a joke and a rhetorical question?
 2
 MAFUNGI
 WHY DOESNT ANYONE LIKE MEP
 21
 paidays 1
 my
 one
 hat was
 gadium unny
 neon thet
 Na
 No
 22
 AREYOUMADEOUTOF
 COPPER AND TELLURIUMP
You Are Pretty Smart If You Get These 23 Jokes

You Are Pretty Smart If You Get These 23 Jokes

Love, Tumblr, and Blog: weneverdidlisten: adomakoaman: Feng Chen Wang FW 2016 | ph: Adomako Aman im in love Me 2.
Love, Tumblr, and Blog: weneverdidlisten:

adomakoaman:


Feng Chen Wang FW 2016 | ph: Adomako Aman


im in love

Me 2.

weneverdidlisten: adomakoaman: Feng Chen Wang FW 2016 | ph: Adomako Aman im in love Me 2.